Page 8 - Weiss, Jernej, ur. 2017. Glasbene migracije: stičišče evropske glasbene raznolikosti - Musical Migrations: Crossroads of European Musical Diversity. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 1
P. 8
glasbene migracije: stičišče evropske glasbene raznolikosti
Vladimir Gurevich
133 Antonio Lolli – auf der Route Bergamo–Stuttgart – Sankt-Petersburg
–Neapel
Helmut Loos
151 Leipzig und seine Musikverleger als Attraktion
Luba Kijanovska
167 Leopolis – Lwów – Leopoli – Lemberg – Львів – Львов in Galizien
– ein Treffpunkt verschiedener Nationalkulturen
(bis „Völkerfrühling“ 1848)
Ingeborg Zechner
185 Die Londoner Oper des 19. Jahrhunderts als Manifestation
musikalischer Migration
Cristina Scuderi
197 From theatre to church: some remarks about censorship
on operatic style at the time of the Cecilian regimentation
Viktor Velek
213 Tamburitza music in the musical culture of Viennese Slavs
in the 19th and early 20th centuries
Katarina Tomašević
223 Davorin Jenko between Slovenian and Serbian Music: Case study
on the Slavonic Music Ideas Migration at the turn of the 20th century
Lana Paćuka
243 From “Baggage Culture” to Universally Accepted Cultural
Commitment: the case of the musical life of Austro-Hungarian
Sarajevo
Fatima Hadžić
257 The Musical Migration: Czech Musicians in Sarajevo
Lubomír Spurný
277 Music and Migration: Contribution to the history of Czech modern
music (1870–1945)
Jernej Weiss
285 “Bankers, medical doctors, teachers, priests, musicians, all Czechs,
kind gentlefolk who show us brotherly love”
Irena Gantar Godina
297 Jan Václav Lego – a Herald of Slovene-Czech Reciprocity
Andrej Misson
305 Področje migracije glasbenih idej
6
Vladimir Gurevich
133 Antonio Lolli – auf der Route Bergamo–Stuttgart – Sankt-Petersburg
–Neapel
Helmut Loos
151 Leipzig und seine Musikverleger als Attraktion
Luba Kijanovska
167 Leopolis – Lwów – Leopoli – Lemberg – Львів – Львов in Galizien
– ein Treffpunkt verschiedener Nationalkulturen
(bis „Völkerfrühling“ 1848)
Ingeborg Zechner
185 Die Londoner Oper des 19. Jahrhunderts als Manifestation
musikalischer Migration
Cristina Scuderi
197 From theatre to church: some remarks about censorship
on operatic style at the time of the Cecilian regimentation
Viktor Velek
213 Tamburitza music in the musical culture of Viennese Slavs
in the 19th and early 20th centuries
Katarina Tomašević
223 Davorin Jenko between Slovenian and Serbian Music: Case study
on the Slavonic Music Ideas Migration at the turn of the 20th century
Lana Paćuka
243 From “Baggage Culture” to Universally Accepted Cultural
Commitment: the case of the musical life of Austro-Hungarian
Sarajevo
Fatima Hadžić
257 The Musical Migration: Czech Musicians in Sarajevo
Lubomír Spurný
277 Music and Migration: Contribution to the history of Czech modern
music (1870–1945)
Jernej Weiss
285 “Bankers, medical doctors, teachers, priests, musicians, all Czechs,
kind gentlefolk who show us brotherly love”
Irena Gantar Godina
297 Jan Václav Lego – a Herald of Slovene-Czech Reciprocity
Andrej Misson
305 Področje migracije glasbenih idej
6
