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Literatura
Hansen, Karen Tranberg. 2004. »The World in Dress: Anthropological Perspecti-
ves on Clothing, Fashion, and Culture.« Annual Review of Anthropology 33 (1):
369–392.
———. 2015. »Anthropology of Dress and Fashion.« Bloomsbury Academic.
http://dx.doi.org/10.5040/9781474280655-BG004.
Hart, Avril, in Susan North. 2009. Seventeenth and Eighteenth-Century Fashion in
Detail. London: v& a Publishing.
Harwood, Jake. 2007. Understanding Communication and Aging: Developing Knowled-
ge and Awareness. Thousand Oaks, ca, New Delhi, London in Singapur: Sage.
Heaps, Russ. 2022. »s u v vs. Crossover: What’s the Difference?« Autotrader, 25.
marec. https://www.autotrader.com/car-shopping/suv-vs-crossover-whats-
difference-215843.
Heathorn, Janet, in Connie Ulasewicz, ur. 2008. Sustainable Fashion: Why Now? A
Conversation Exploring Issues, Practices, and Possibilities. New York: Fairchild
Books.
Hebdige, Dick. 1979. Subculture: The Meaning of Style. London in New York: Rou-
tledge.
Hendrickson, Hildi, ur. 1996. Clothing and Difference: Embodied Identities in Colonial
and Post-colonial Africa. Durham, nc, in London: Duke University Press.
Heyl, Christoph. 2001. »When They Are on Purpose to Be Seen: The Metamorpho-
sis of the Mask in the Seventeenth and Eighteenth Century London.« V Body
Dressing, ur. Joanne Entwistle in Elizabeth Wilson, 121–142. New York: Berg.
Hollander, Anne. 1993. Seing Through Clothes. Berkeley, ca, in London: University
of California Press.
Horn, Marilyn J., in Lois M. Gurel. 1981. The Second Skin: An Interdisciplinary Study
of Clothing. Boston, m a: Houghton Mifflin School.
Hošić, Irfan, ur. 2011. Odjeća kao simbol identiteta. Bihać: Tehnički fakultet Univer-
ziteta u Bihaću.
———. 2018. »Performativnost mode: medijske slike i ekscesi tijela.« V Teorija i
kultura mode: Discipline, pristupi, interpretacije, uredila Žarko Paić in Krešimir
Purgar, 125–144. Zagreb: Sveučilište u Zagrebu, Tekstilno-tehnološki fakul-
tet.
»5 Reasons to Buy a Crossover Vehicle.« B. l. HowStuffWorks. https://smartstuff
.howstuffworks.com/5-reasons-buy-crossover-vehicle.
Hromadžić, Hajrudin. 2018. »Moda i kulturalni studiji: Modna industrija u kultu-
ri spektakla.« V Teorija i kultura mode: discipline, pristupi, interpretacije, ure-
dila Žarko Paić in Krešimir Purgar, 91–106. Zagreb: Sveučilište u Zagrebu,
Tekstilno-tehnološki fakultet.
Huisman, Kimberly, in Pierrette Hondagneu-Sotelo. 2005. »Dress Matters: Chan-
ge and Continuity in the Dress Practices of Bosnian Refugee Women.« Gender
and Society 19 (1): 44–65.
215
Hansen, Karen Tranberg. 2004. »The World in Dress: Anthropological Perspecti-
ves on Clothing, Fashion, and Culture.« Annual Review of Anthropology 33 (1):
369–392.
———. 2015. »Anthropology of Dress and Fashion.« Bloomsbury Academic.
http://dx.doi.org/10.5040/9781474280655-BG004.
Hart, Avril, in Susan North. 2009. Seventeenth and Eighteenth-Century Fashion in
Detail. London: v& a Publishing.
Harwood, Jake. 2007. Understanding Communication and Aging: Developing Knowled-
ge and Awareness. Thousand Oaks, ca, New Delhi, London in Singapur: Sage.
Heaps, Russ. 2022. »s u v vs. Crossover: What’s the Difference?« Autotrader, 25.
marec. https://www.autotrader.com/car-shopping/suv-vs-crossover-whats-
difference-215843.
Heathorn, Janet, in Connie Ulasewicz, ur. 2008. Sustainable Fashion: Why Now? A
Conversation Exploring Issues, Practices, and Possibilities. New York: Fairchild
Books.
Hebdige, Dick. 1979. Subculture: The Meaning of Style. London in New York: Rou-
tledge.
Hendrickson, Hildi, ur. 1996. Clothing and Difference: Embodied Identities in Colonial
and Post-colonial Africa. Durham, nc, in London: Duke University Press.
Heyl, Christoph. 2001. »When They Are on Purpose to Be Seen: The Metamorpho-
sis of the Mask in the Seventeenth and Eighteenth Century London.« V Body
Dressing, ur. Joanne Entwistle in Elizabeth Wilson, 121–142. New York: Berg.
Hollander, Anne. 1993. Seing Through Clothes. Berkeley, ca, in London: University
of California Press.
Horn, Marilyn J., in Lois M. Gurel. 1981. The Second Skin: An Interdisciplinary Study
of Clothing. Boston, m a: Houghton Mifflin School.
Hošić, Irfan, ur. 2011. Odjeća kao simbol identiteta. Bihać: Tehnički fakultet Univer-
ziteta u Bihaću.
———. 2018. »Performativnost mode: medijske slike i ekscesi tijela.« V Teorija i
kultura mode: Discipline, pristupi, interpretacije, uredila Žarko Paić in Krešimir
Purgar, 125–144. Zagreb: Sveučilište u Zagrebu, Tekstilno-tehnološki fakul-
tet.
»5 Reasons to Buy a Crossover Vehicle.« B. l. HowStuffWorks. https://smartstuff
.howstuffworks.com/5-reasons-buy-crossover-vehicle.
Hromadžić, Hajrudin. 2018. »Moda i kulturalni studiji: Modna industrija u kultu-
ri spektakla.« V Teorija i kultura mode: discipline, pristupi, interpretacije, ure-
dila Žarko Paić in Krešimir Purgar, 91–106. Zagreb: Sveučilište u Zagrebu,
Tekstilno-tehnološki fakultet.
Huisman, Kimberly, in Pierrette Hondagneu-Sotelo. 2005. »Dress Matters: Chan-
ge and Continuity in the Dress Practices of Bosnian Refugee Women.« Gender
and Society 19 (1): 44–65.
215
