Page 88 - Harmonska_Spremljava_Petja
P. 88
Petje s spremljavo na ksilofon in metalofon
Parlakian, R., in Lerner, C. (2010). Beyond twinkle, twinkle using music with infants and
toddlers. Young Children, 65(2), 14–19.
Petje. (B. l.). V Sinonimni slovar slovenskega jezika. Fran.si https://fran.si/208/sinonimni
-slovar/4373966/petje?View=1&Query=petje
Pulli, K., Karma, K., in Norio. R. 2008. Genome-wide linkage scan for loci of musical ap-
titude in Finnish families: Evidence for a major locus at 4q22. Journal of Medical
Genetics, 45(7), 451–456.
Salimpoor, V., Benovoy, M., Larcher, K., Dagher, A., in Zatorre, R. (2011). Anatomically di-
stinct dopamine release during anticipation and experience of peak emotion to
music. Nature Neuroscience, 14(2), 257–262.
Santoro, M. (2002). What is a “cantautore?” Distinction and authorship in Italian (popu-
lar) music. Poetics, 30(1), 111–132.
Serrà, J., Corral, Á., Boguñá, M., Haro, M., in Arcos, J. (2012). Measuring the evolution of
contemporary Western popular music. Scientific Reports, 2, 521.
Schellenberg, G. E., in Mankarious, M. (2012). Music training and emotion comprehensi-
on in childhood. Emotion, 12(5), 887–891.
Singing. (B. l.). V Encyclopaedia Britannica. https://www.britannica.com/art/singing
Shepherd, J. (Ur.). (2003). Continuum encyclopedia of popular music of the world. Zvezek
11, Performance and Production. Continuum.
Trehub, S. E., in Hannon, E. E. (2005). Infant music perception: Domain-general or doma-
in-specific mechanisms? Cognition, 100(1), 73-99.
Vennard, W. (1967). Singing: The mechanism and the technic. Carl Fischer Music.
88