Page 270 - Weiss, Jernej, ur. 2017. Glasbene migracije: stičišče evropske glasbene raznolikosti - Musical Migrations: Crossroads of European Musical Diversity. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 1
P. 270
glasbene migracije: stičišče evropske glasbene raznolikosti
Eduard Křenek, Franjo Topič (Topić)41, Ladislav Pešek42, František-Franjo
Drabek43.
A new period in the development of music education started after
World War II within the Socialist Yugoslavia. Opening of a great num-
ber of state elementary and high schools of music, and then the Academy
of Music in Sarajevo in 1955 resolved the problem of musical staff for a long
term. However, Czech music pedagogues in Sarajevo were present as teach-
ers at all levels of the state system of music education. Following Czech mu-
sicians worked at the Academy of Music in Sarajevo: Josip Bareš44, associate
professor of oboe, Rudolf Beran45, lecturer for clarinet, Karel Fijala46 asso-
ciate professor at the Department of solo singing, Roman Pešek47, teaching
41 Franjo Topič (Topić) (Lysá nad Labem, Češka, 1881–Sarajevo, 1937) studied violin
(with prof. Ferdo Lacher) at the Conservatory of Music in Prague from (1899–1904).
After Maribor (Slovenia), where he worked as director Glasbena matica, he came to
Sarajevo in 1926. In Sarajevo, he worked as a teacher of singing, choirmaster and the
concert master of the Sarajevo Philharmonic Orchestra.
42 Ladislav I. Pešek (Češka, 1893–?) received his education in Bohemia. In Sarajevo, he
worked as a teacher of music, solo singing, choir leader and concert singer.
43 František Eduard Drabek (Sedlice, Blatna, 1903–Sarajevo, 1985) worked as musician
in Bela Crkva (Vojvodina, Srbija) (1922–1924). From 1924 in Sarajevo, he acted as
member of the military orchestra and the Sarajevo Philharmonic Orchestra. He
studied violin at the Regional music school in Sarajevo with F. Topič. After World
War II he worked as one of the first violin teachers of the elementary music school,
member of the National Theatre Orchestra, and Sarajevo Philharmonic Orchestra
until his retirement in 1951.
44 Josef Bareš (Prague, 1912–Sarajevo, 1992) was educated at Prague Conservatoire.
Since 1946 he worked in Sarajevo as the first oboe player and soloist for Opera and
Sarajevo Philharmonic Orchestra, and as a free-lance teacher at the High school of
music and Academy of Music.
45 Rudolf (Rudolfa) Beran (Banja Luka, 1930) received his education in Belgrade.
Since 1950, he worked as the first clarinet player and soloist for Sarajevo Opera and
Philharmonic orchestra, clarinet teacher at High school of music and Academy of
Music.
46 Karel Fiala (Novi Slankamen, 1906–Sarajevo, 1975) received his education at Prague
Conservatoire. From 1946 to 1969 he worked as a soloist and director for Sarajevo
Opera.
47 Roman Pešek (Česke Budejovice, 1935) was educated at Prague Conservatoire. Since
1968, he worked as a bassoon player for Symphony orchestra of Sarajevo Broadcasting
Organization, teaching assistant for bassoon at Academy of Music in Sarajevo, and a
teacher at High school of music in Sarajevo.
268
Eduard Křenek, Franjo Topič (Topić)41, Ladislav Pešek42, František-Franjo
Drabek43.
A new period in the development of music education started after
World War II within the Socialist Yugoslavia. Opening of a great num-
ber of state elementary and high schools of music, and then the Academy
of Music in Sarajevo in 1955 resolved the problem of musical staff for a long
term. However, Czech music pedagogues in Sarajevo were present as teach-
ers at all levels of the state system of music education. Following Czech mu-
sicians worked at the Academy of Music in Sarajevo: Josip Bareš44, associate
professor of oboe, Rudolf Beran45, lecturer for clarinet, Karel Fijala46 asso-
ciate professor at the Department of solo singing, Roman Pešek47, teaching
41 Franjo Topič (Topić) (Lysá nad Labem, Češka, 1881–Sarajevo, 1937) studied violin
(with prof. Ferdo Lacher) at the Conservatory of Music in Prague from (1899–1904).
After Maribor (Slovenia), where he worked as director Glasbena matica, he came to
Sarajevo in 1926. In Sarajevo, he worked as a teacher of singing, choirmaster and the
concert master of the Sarajevo Philharmonic Orchestra.
42 Ladislav I. Pešek (Češka, 1893–?) received his education in Bohemia. In Sarajevo, he
worked as a teacher of music, solo singing, choir leader and concert singer.
43 František Eduard Drabek (Sedlice, Blatna, 1903–Sarajevo, 1985) worked as musician
in Bela Crkva (Vojvodina, Srbija) (1922–1924). From 1924 in Sarajevo, he acted as
member of the military orchestra and the Sarajevo Philharmonic Orchestra. He
studied violin at the Regional music school in Sarajevo with F. Topič. After World
War II he worked as one of the first violin teachers of the elementary music school,
member of the National Theatre Orchestra, and Sarajevo Philharmonic Orchestra
until his retirement in 1951.
44 Josef Bareš (Prague, 1912–Sarajevo, 1992) was educated at Prague Conservatoire.
Since 1946 he worked in Sarajevo as the first oboe player and soloist for Opera and
Sarajevo Philharmonic Orchestra, and as a free-lance teacher at the High school of
music and Academy of Music.
45 Rudolf (Rudolfa) Beran (Banja Luka, 1930) received his education in Belgrade.
Since 1950, he worked as the first clarinet player and soloist for Sarajevo Opera and
Philharmonic orchestra, clarinet teacher at High school of music and Academy of
Music.
46 Karel Fiala (Novi Slankamen, 1906–Sarajevo, 1975) received his education at Prague
Conservatoire. From 1946 to 1969 he worked as a soloist and director for Sarajevo
Opera.
47 Roman Pešek (Česke Budejovice, 1935) was educated at Prague Conservatoire. Since
1968, he worked as a bassoon player for Symphony orchestra of Sarajevo Broadcasting
Organization, teaching assistant for bassoon at Academy of Music in Sarajevo, and a
teacher at High school of music in Sarajevo.
268
