Page 400 - Weiss, Jernej, ur. 2017. Glasbene migracije: stičišče evropske glasbene raznolikosti - Musical Migrations: Crossroads of European Musical Diversity. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 1
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glasbene migracije: stičišče evropske glasbene raznolikosti
is controlled by a technician who coordinates the entries of the separate tape
“bands” with the live orchestral sounds.
Bibliography
Adkins, Monty, Russ, Michael, eds.. The Roberto Gerhard Companion. Farn-
ham, UK: Ashgate, 2013.
Benoliel, Bernard. Booklet for the recording on CHAN 9599. Colchester, UK:
Chandos Records, 1998.
Berry, Wallace. “Concerto for Orchestra by Roberto Gerhard.” Notes. Second
Series, 23/4 (1967): 836–37.
Cholij, Irena. “Gerhard, Electronic Music and King Lear.” Tempo, 198 (Octo-
ber 1996): 28–34.
Davies, Hugh. “The Electronic Music.” Tempo, 139 (December 1981): 35–38.
Drew, David. Booklet for the recording on Valois V 4728. Barcelona: Auvidis
Ibèrica, 1995.
Drew, David. “Gerhard’s Cantata: A Note on the Music.” Tempo, 184 (Decem-
ber 1981): 17–18.
Drew, David. “Gerhard’s Pandora.” Tempo, 183 (March 1993): 14–17.
Duque, Carlos. “The Influence of Electronic Music on Roberto Gerhard’s
Symphony No.4 ‘New York’.” The Roberto Gerhard Companion, 285–306.
Gerhard, Roberto. Albada, Interludi i Dansa. London: Boosey & Hawkes, 1981.
Gerhard, Roberto. “A note on Felipe Pedrell.” Gerhard on Music, 39–40.
Gerhard, Roberto. Capriccio, score. London: Mills Music, 1964.
Gerhard, Roberto. “Composer’s Note.” Concerto for orchestra, score. London:
Oxford University Press, 1965.
Gerhard, Roberto. “Functions of the series in twelve-note composition.” Ger-
hard on Music, 157–73.
Gerhard, Roberto. Gerhard on Music. Aldershot, UK: Ashgate, 2000.
Gerhard, Roberto. “Introduction to Lament for the Death of a Bullfighter.” Ger-
hard on Music, 185–86.
Gerhard, Roberto. Lament for the Death of a Bullfighter, sound recording on SR
378. Brussels: Sub Rosa, 2014.
Gerhard, Roberto. Pedrelliana, sound recording on CHAN 9693. Colchester:
Chandos, 1998.
Gerhard, Roberto. Symphony No.1, score. London: Mills Music, 1959.
398
is controlled by a technician who coordinates the entries of the separate tape
“bands” with the live orchestral sounds.
Bibliography
Adkins, Monty, Russ, Michael, eds.. The Roberto Gerhard Companion. Farn-
ham, UK: Ashgate, 2013.
Benoliel, Bernard. Booklet for the recording on CHAN 9599. Colchester, UK:
Chandos Records, 1998.
Berry, Wallace. “Concerto for Orchestra by Roberto Gerhard.” Notes. Second
Series, 23/4 (1967): 836–37.
Cholij, Irena. “Gerhard, Electronic Music and King Lear.” Tempo, 198 (Octo-
ber 1996): 28–34.
Davies, Hugh. “The Electronic Music.” Tempo, 139 (December 1981): 35–38.
Drew, David. Booklet for the recording on Valois V 4728. Barcelona: Auvidis
Ibèrica, 1995.
Drew, David. “Gerhard’s Cantata: A Note on the Music.” Tempo, 184 (Decem-
ber 1981): 17–18.
Drew, David. “Gerhard’s Pandora.” Tempo, 183 (March 1993): 14–17.
Duque, Carlos. “The Influence of Electronic Music on Roberto Gerhard’s
Symphony No.4 ‘New York’.” The Roberto Gerhard Companion, 285–306.
Gerhard, Roberto. Albada, Interludi i Dansa. London: Boosey & Hawkes, 1981.
Gerhard, Roberto. “A note on Felipe Pedrell.” Gerhard on Music, 39–40.
Gerhard, Roberto. Capriccio, score. London: Mills Music, 1964.
Gerhard, Roberto. “Composer’s Note.” Concerto for orchestra, score. London:
Oxford University Press, 1965.
Gerhard, Roberto. “Functions of the series in twelve-note composition.” Ger-
hard on Music, 157–73.
Gerhard, Roberto. Gerhard on Music. Aldershot, UK: Ashgate, 2000.
Gerhard, Roberto. “Introduction to Lament for the Death of a Bullfighter.” Ger-
hard on Music, 185–86.
Gerhard, Roberto. Lament for the Death of a Bullfighter, sound recording on SR
378. Brussels: Sub Rosa, 2014.
Gerhard, Roberto. Pedrelliana, sound recording on CHAN 9693. Colchester:
Chandos, 1998.
Gerhard, Roberto. Symphony No.1, score. London: Mills Music, 1959.
398
