Page 98 - Weiss, Jernej, ur. 2017. Glasbene migracije: stičišče evropske glasbene raznolikosti - Musical Migrations: Crossroads of European Musical Diversity. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 1
P. 98
glasbene migracije: stičišče evropske glasbene raznolikosti
Considering all this, it is obvious that musical culture in Croatian
lands during the two centuries under consideration needed more import
than export. The lack of civil musical institutions intensified that need dur-
ing peaceful periods, when music as representation, entertainment or part
of church services could develop more intensively.
The situation in the 19th century has brought some substantial changes:
the urban musical institutions started to be established following the praxis
of democratization in music, and the migration processes underwent some
transformations.45 Thus, this issue could meet some parallels and differ-
ences according to the established parameters in comparison with the sit-
uation in the 17th and 18th centuries. The same could be said for the 20th
century with its own specific problems, and some models, detected in the
MusMig research, could be applied as paradigms for this period too.
Bibliography
Barlè, Janko. “Nešto o koru prvostolne crkve zagrebačke.” Sv. Cecilija, 5/10–11
(1911): 73–74.
Bošković, Ivan. “Contacts between dr. Julije Bajamonti and Luka and Antun
Sorkočević.” Luka and Antun Sorkočević, Croatian Composers. Stanislav
Tuksar, ed.. Zagreb-Osor: MIC, 1983, 247–262.
Burić, Katica. Glazbeni život Zadra u 18. i prvoj polovici 19. stoljeća. Zadar:
Svučilište u Zadru, 2010.
Čoralić, Lovorka, Katalinić, Vjera, Katušić, Maja. “Bubnjari, timpanisti,
trubači i pifaristi: glazbena pratnja u mletačkim prekojadranskim kop
nenim postrojbama u 18. Stoljeću.” Arti musices, 47/1–2 (2016): 27–78.
Demović, Miho. “Frankoflämische Musiker in der Republik Dubrovnik.”
In Gallus Carniolus in europska renesansa, 2. Dragotin Cvetko and Dani-
lo Pokorn, eds.. Ljubljana: SAZU, 1992, 193–204.
Demović, Miho. Glazba i glazbenici u Dubrovačkoj Republici od kraja XVII. do
prvog desetljeća XIX. stoljeća. Zagreb: JAZU, 1989.
Ditters von Dittersdorf, Karl. Lebensbeschreibung seinem Sohne in die Feder
diktiert, Neue vollständige Ausgabe herausgegeben von Eugen Schmitz.
Regensburg: Gustav Bosse Verlag, 1940.
45 By the end of the 18th century, and especially in the 19th century, a stronger migratio-
nal process brought many Czech musicians to Croatian lands – both civilians, mon-
ks and military musicians. Cf. Katalinić, “Migration and Cultural Transfer in Trans-
formation,” 36–52.
96
Considering all this, it is obvious that musical culture in Croatian
lands during the two centuries under consideration needed more import
than export. The lack of civil musical institutions intensified that need dur-
ing peaceful periods, when music as representation, entertainment or part
of church services could develop more intensively.
The situation in the 19th century has brought some substantial changes:
the urban musical institutions started to be established following the praxis
of democratization in music, and the migration processes underwent some
transformations.45 Thus, this issue could meet some parallels and differ-
ences according to the established parameters in comparison with the sit-
uation in the 17th and 18th centuries. The same could be said for the 20th
century with its own specific problems, and some models, detected in the
MusMig research, could be applied as paradigms for this period too.
Bibliography
Barlè, Janko. “Nešto o koru prvostolne crkve zagrebačke.” Sv. Cecilija, 5/10–11
(1911): 73–74.
Bošković, Ivan. “Contacts between dr. Julije Bajamonti and Luka and Antun
Sorkočević.” Luka and Antun Sorkočević, Croatian Composers. Stanislav
Tuksar, ed.. Zagreb-Osor: MIC, 1983, 247–262.
Burić, Katica. Glazbeni život Zadra u 18. i prvoj polovici 19. stoljeća. Zadar:
Svučilište u Zadru, 2010.
Čoralić, Lovorka, Katalinić, Vjera, Katušić, Maja. “Bubnjari, timpanisti,
trubači i pifaristi: glazbena pratnja u mletačkim prekojadranskim kop
nenim postrojbama u 18. Stoljeću.” Arti musices, 47/1–2 (2016): 27–78.
Demović, Miho. “Frankoflämische Musiker in der Republik Dubrovnik.”
In Gallus Carniolus in europska renesansa, 2. Dragotin Cvetko and Dani-
lo Pokorn, eds.. Ljubljana: SAZU, 1992, 193–204.
Demović, Miho. Glazba i glazbenici u Dubrovačkoj Republici od kraja XVII. do
prvog desetljeća XIX. stoljeća. Zagreb: JAZU, 1989.
Ditters von Dittersdorf, Karl. Lebensbeschreibung seinem Sohne in die Feder
diktiert, Neue vollständige Ausgabe herausgegeben von Eugen Schmitz.
Regensburg: Gustav Bosse Verlag, 1940.
45 By the end of the 18th century, and especially in the 19th century, a stronger migratio-
nal process brought many Czech musicians to Croatian lands – both civilians, mon-
ks and military musicians. Cf. Katalinić, “Migration and Cultural Transfer in Trans-
formation,” 36–52.
96
