Page 143 - Vinkler, Jonatan, Ana Beguš and Marcello Potocco. Eds. 2019. Ideology in the 20th Century: Studies of literary and social discourses and practices. Koper: University of Primorska Press
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Women’s Poetic Discourse in the Context of Post-war Ideologies 143

erary, ideologic, and aesthetic ‘taste’. In spite of all these reasons, it is un-
disputable that Škerl composed her poetry in an explicitly patriarchal lit-
erary system. The ‘avantgarde’ position of Ada Škerl would undoubtedly
have a higher possibility of success if it was produced by a male author.
This is further supported by the fact that the intimism of a communal
male project Pesmi štirih is preceded by two female authors.10 Both as-
sumed the position on the ‘female periphery’ of the Slovenian literary
canon while the breakthrough innovation is still contributed to male au-
thors. It is now time that Ada Škerl and her book finally step out of shad-
ow and are given the place they deserve.

Works Cited
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realizem. Ljubljana: LUD Literatura.
Borovnik, Silvija. 1995. Pišejo ženske drugače? O Slovenkah kot pisateljicah in

literarnih likih. Ljubljana: Mihelač.
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ga. Ljubljana: Závod.
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gačnik. Ljubljana: Apokalipsa.
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Koper: Hyperion.

10 Boris Paternu (1967, 118) finds a tendence towards intimism also in Jože Šmit’s
collection Srce v besedi (A Heart in the Word) published in 1950.
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