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Negotiating the Discursive Circulation of (Mis)Information in the Face of Global Uncertainties 45
Bertin, Raymond. 2012. “Maudit soit le traître à sa patrie!: Théâtre extrême.”
Jeu, June 10, 2012. http://www.revuejeu.org/critiques/raymond-bertin/
fta-maudit-soit-le-traitre-a-sa-patrie-theatre-extreme.
Birringer, Johannes. 2016. “Really Actually Windy: On Environments,
Technologies, and Dividual Performances.” Theatre Journal 68, no. 4:
633–647.
Blackler, Deane. 2007. Reading W. G. Sebald: Adventure and Disobedience.
Studies in German Literature, Linguistics, and Culture Series. Roches-
ter: Camden House.
Bourriaud, Nicolas. 2009a. “Altermodern.” In Altermodern: Tate Triennial,
11–23. London: Tate Publishing.
———. 2009b. The Radicant. New York: Lucas & Sternberg.
Elsaesser, Thomas. 2014. “Kontingentnost in naključnost kot ruševini časa:
besedilo, podoba in gibanje v Saturnovih prstanih W. G. Sebalda.”
Transl. by Ana Beguš. Primerjalna književnost 37, no. 2: 25–37.
Frljić, Oliver; Šeparović, Borut; Toporišič, Tomaž. 2017. “On theatre corps-
es.” Mladinsko Theatre. Accessed October 13, 2017. en.mladinsko.com/
performances/reprises-20152016/damned-be-the-traitor-of-his-home-
land/e-library.
Garner, Stanton B. Jr. 1994. Bodied Spaces: Phenomenology and Performance
in Contemporary Drama. Ithaca, NY: Cornell University Press.
Gibbons, Alison. 2012. “Altermodernist Fiction.” In Routledge Compan-
ion to Experimental Literature, eds. J. Bray, A. Gibbons and B. McHale,
238–252. London: Routledge.
Jakiša, Miranda. 2016. “The Evidence of Srebrenica: Oliver Frljić’s Theater
Court in Cowardice.” In Post-Yugoslav Constellations: Archive, Memo-
ry, and Trauma in Contemporary in Bosnian, Croatian, and Serbian Lit-
erature and Culture, ed. Vlad Beronja AND Stijn Vervaet, 83–98. Berlin:
De Gruyter.
Juvan, Marko. 2009. “Svetovni literarni sistem.” Primerjalna književnost 32
(2): 181–212.
———. “Od političnega gledališča v jugoslovanskem socializmu do
političnega performansa v globalnem kapitalizmu: primer Slovenskega
mladinskega gledališča.” Slavistična revija 62, no. 4: 545–558.
Lehmann, Hans-Thies. 2002. “Politično v postdramskem.” Transl. Anina
Marn. Maska 17, no. 3–4: 6–9.
McCulloh, Mark Richard. 2003. Understanding W.G. Sebald. Columbia,
South Carolina: University of South Carolina Press.
Bertin, Raymond. 2012. “Maudit soit le traître à sa patrie!: Théâtre extrême.”
Jeu, June 10, 2012. http://www.revuejeu.org/critiques/raymond-bertin/
fta-maudit-soit-le-traitre-a-sa-patrie-theatre-extreme.
Birringer, Johannes. 2016. “Really Actually Windy: On Environments,
Technologies, and Dividual Performances.” Theatre Journal 68, no. 4:
633–647.
Blackler, Deane. 2007. Reading W. G. Sebald: Adventure and Disobedience.
Studies in German Literature, Linguistics, and Culture Series. Roches-
ter: Camden House.
Bourriaud, Nicolas. 2009a. “Altermodern.” In Altermodern: Tate Triennial,
11–23. London: Tate Publishing.
———. 2009b. The Radicant. New York: Lucas & Sternberg.
Elsaesser, Thomas. 2014. “Kontingentnost in naključnost kot ruševini časa:
besedilo, podoba in gibanje v Saturnovih prstanih W. G. Sebalda.”
Transl. by Ana Beguš. Primerjalna književnost 37, no. 2: 25–37.
Frljić, Oliver; Šeparović, Borut; Toporišič, Tomaž. 2017. “On theatre corps-
es.” Mladinsko Theatre. Accessed October 13, 2017. en.mladinsko.com/
performances/reprises-20152016/damned-be-the-traitor-of-his-home-
land/e-library.
Garner, Stanton B. Jr. 1994. Bodied Spaces: Phenomenology and Performance
in Contemporary Drama. Ithaca, NY: Cornell University Press.
Gibbons, Alison. 2012. “Altermodernist Fiction.” In Routledge Compan-
ion to Experimental Literature, eds. J. Bray, A. Gibbons and B. McHale,
238–252. London: Routledge.
Jakiša, Miranda. 2016. “The Evidence of Srebrenica: Oliver Frljić’s Theater
Court in Cowardice.” In Post-Yugoslav Constellations: Archive, Memo-
ry, and Trauma in Contemporary in Bosnian, Croatian, and Serbian Lit-
erature and Culture, ed. Vlad Beronja AND Stijn Vervaet, 83–98. Berlin:
De Gruyter.
Juvan, Marko. 2009. “Svetovni literarni sistem.” Primerjalna književnost 32
(2): 181–212.
———. “Od političnega gledališča v jugoslovanskem socializmu do
političnega performansa v globalnem kapitalizmu: primer Slovenskega
mladinskega gledališča.” Slavistična revija 62, no. 4: 545–558.
Lehmann, Hans-Thies. 2002. “Politično v postdramskem.” Transl. Anina
Marn. Maska 17, no. 3–4: 6–9.
McCulloh, Mark Richard. 2003. Understanding W.G. Sebald. Columbia,
South Carolina: University of South Carolina Press.
