Page 37 - Blečić Kavur, Martina. Uhvati pravu ravnotežu! ■ Get the balance right! Koper: Založba Univerze na Primorskem, 2014.
P. 37
eštavilo keramičkog luksuza
Glittering of ceramic luxury
U Isvakodnevne svrhe, pri stolnom posluživa- 37
nju, kao i pri obredima banketa i simpozija u
Osoru se koristila i luksuzna uvezena kerami- n Osor, everyday activities such as serving at the ta-
ble, banquet rituals and symposia involved luxuri-
ous imported pottery. Most finds come from re-
ka. Najveći njezin broj potječe iz istraživanja gradske search in the city centre while a smaller number comes
jezgre, a manji iz grobova. from the graves.
Fino slikano posuđe najčešće je grčke (atičke) ili juž- Painted pottery is mostly of Greek (Attic) and
noitalske provenijencije, čime dokazuje žive kontakte south-Italian origin demonstrating lively contacts of
istočnojadranskog prostora s helenskim svijetom grč- the eastern-Adriatic territory with the Hellenic world
kih gradova ili novoosnovanih grčkih kolonija u juž- of Greek cities or newly founded Greek colonies in
noj Italiji. Osorski ulomci pripadaju posudama tipa southern Italy. In Osor fragments belonging to differ-
krater, kiliks, oinohoe ili skifos koji su činili sastavni ent forms were discovered – krater, kylix, oenochoe or
dio servisa za piće. Posude su uglavnom ukrašavane skyphos which were parts of drinking services. Vessels
geometrijskim, figuralnim ili biljnim motivima. Atič- were mostly decorated with geometric, figural and flo-
ka je crvenofiguralna keramografska produkcija znat- ral motives. Attic red-figure ceramic production was
no brojnije zastupljena i koristila se sve do 4. st. pr. Kr., more numerous and used all the way to the 4th century.
povezana sa sve snažnijim utjecajem južnoitalskih i Its presence could be linked to ever stronger influenc-
sjevernojadranskih radionica. es of southern Italic and northern Adriatic workshops.
U istom vremenskom kontekstu pristižu i prve vaze In the same chronological context arrived also the
južnoitalske crvenofiguralne proizvodnje. To su ulom- first vessels of south Italic red-figure production.
ci velikih skifosa s crnim sjajnim premazom oslikanih These are fragments of large skyphoi with black shin-
svjetlijom bojom na kojima prevladavaju vegetabilni ing gloss painted in light colour with dominantly veg-
Glittering of ceramic luxury
U Isvakodnevne svrhe, pri stolnom posluživa- 37
nju, kao i pri obredima banketa i simpozija u
Osoru se koristila i luksuzna uvezena kerami- n Osor, everyday activities such as serving at the ta-
ble, banquet rituals and symposia involved luxuri-
ous imported pottery. Most finds come from re-
ka. Najveći njezin broj potječe iz istraživanja gradske search in the city centre while a smaller number comes
jezgre, a manji iz grobova. from the graves.
Fino slikano posuđe najčešće je grčke (atičke) ili juž- Painted pottery is mostly of Greek (Attic) and
noitalske provenijencije, čime dokazuje žive kontakte south-Italian origin demonstrating lively contacts of
istočnojadranskog prostora s helenskim svijetom grč- the eastern-Adriatic territory with the Hellenic world
kih gradova ili novoosnovanih grčkih kolonija u juž- of Greek cities or newly founded Greek colonies in
noj Italiji. Osorski ulomci pripadaju posudama tipa southern Italy. In Osor fragments belonging to differ-
krater, kiliks, oinohoe ili skifos koji su činili sastavni ent forms were discovered – krater, kylix, oenochoe or
dio servisa za piće. Posude su uglavnom ukrašavane skyphos which were parts of drinking services. Vessels
geometrijskim, figuralnim ili biljnim motivima. Atič- were mostly decorated with geometric, figural and flo-
ka je crvenofiguralna keramografska produkcija znat- ral motives. Attic red-figure ceramic production was
no brojnije zastupljena i koristila se sve do 4. st. pr. Kr., more numerous and used all the way to the 4th century.
povezana sa sve snažnijim utjecajem južnoitalskih i Its presence could be linked to ever stronger influenc-
sjevernojadranskih radionica. es of southern Italic and northern Adriatic workshops.
U istom vremenskom kontekstu pristižu i prve vaze In the same chronological context arrived also the
južnoitalske crvenofiguralne proizvodnje. To su ulom- first vessels of south Italic red-figure production.
ci velikih skifosa s crnim sjajnim premazom oslikanih These are fragments of large skyphoi with black shin-
svjetlijom bojom na kojima prevladavaju vegetabilni ing gloss painted in light colour with dominantly veg-
