Page 45 - Blečić Kavur, Martina. Uhvati pravu ravnotežu! ■ Get the balance right! Koper: Založba Univerze na Primorskem, 2014.
P. 45
Čini li »odijelo« čovjeka?
Do the »clothes« make a man?
T Dijekom čitavog mlađeg željeznog doba, od 4. 45
pa do 2. st. pr. Kr., pojedini elementi nošnje i
nakita, zbog svoje su funkcionalnosti ili jed- uring the whole Late Iron Age from the 4th
to the 2nd century BC, individual elements of
attire and jewellery remained in fashion for a
nostavnosti, nepromijenjeno dugo ostajali u modi ta- long period of time – mostly they were popular at lo-
mošnjeg stanovništva. No pojedini se ipak razvijaju i cal inhabitants due to their functionality or simplici-
usavršavaju u korist novoprispjelih kulturnih utjeca- ty. But individual forms developed and perfected tak-
ja i manifestacija. Zorno nam to pokazuju upravo ka- ing advantage of newly arrived cultural influences and
sni oblici i varijante fibula tipa Certosa (VII) kojih je manifestations. This is in Osor clearly demonstrated
na Osoru zabilježen uistinu impozantan broj. Istu tra- by the numerous finds of late variants of the Certosa
diciju slijede i varijante fibula tipa Baška. One su, u luk- type fibulae (VII). The same tradition is followed by
suznim baroknim formama, nerijetko bile izrađivane variants of the Baška type fibulae. They were, in lux-
od srebra, uklapajući se tako u širenje masovnije upo- urious baroque forms, often produced from silver, fit-
rabe srebra, odnosno u tzv. srebrni horizont tijeka 3. st. ting in to the spreading trend of using silver – this is
pr. Kr. in to the so-called silver horizon of the 3rd century BC.
»Srebrni horizont« uobičajeno se objašnjava kao po- The »silver horizon« is commonly explained as the
sljedica općeg širenja dominantnog i raskošnog hele- consequence of general spread of dominant and lux-
nističkog kulturnog stvaralaštva. Upravo se pod tim urious Hellenistic cultural creativity. It was under this
utjecajem razvijaju i tzv. liburnske, srebrne pločaste fi- influences that the so-called Liburnian silver plate fib-
bule, posljednja prepoznatljiva kreacija umjetničkog ulae developed. They were the last recognizable crea-
obrta iz kulture središnjeg prostora Liburnije. Iz Oso- tion of local artistic production in the culture of the
Do the »clothes« make a man?
T Dijekom čitavog mlađeg željeznog doba, od 4. 45
pa do 2. st. pr. Kr., pojedini elementi nošnje i
nakita, zbog svoje su funkcionalnosti ili jed- uring the whole Late Iron Age from the 4th
to the 2nd century BC, individual elements of
attire and jewellery remained in fashion for a
nostavnosti, nepromijenjeno dugo ostajali u modi ta- long period of time – mostly they were popular at lo-
mošnjeg stanovništva. No pojedini se ipak razvijaju i cal inhabitants due to their functionality or simplici-
usavršavaju u korist novoprispjelih kulturnih utjeca- ty. But individual forms developed and perfected tak-
ja i manifestacija. Zorno nam to pokazuju upravo ka- ing advantage of newly arrived cultural influences and
sni oblici i varijante fibula tipa Certosa (VII) kojih je manifestations. This is in Osor clearly demonstrated
na Osoru zabilježen uistinu impozantan broj. Istu tra- by the numerous finds of late variants of the Certosa
diciju slijede i varijante fibula tipa Baška. One su, u luk- type fibulae (VII). The same tradition is followed by
suznim baroknim formama, nerijetko bile izrađivane variants of the Baška type fibulae. They were, in lux-
od srebra, uklapajući se tako u širenje masovnije upo- urious baroque forms, often produced from silver, fit-
rabe srebra, odnosno u tzv. srebrni horizont tijeka 3. st. ting in to the spreading trend of using silver – this is
pr. Kr. in to the so-called silver horizon of the 3rd century BC.
»Srebrni horizont« uobičajeno se objašnjava kao po- The »silver horizon« is commonly explained as the
sljedica općeg širenja dominantnog i raskošnog hele- consequence of general spread of dominant and lux-
nističkog kulturnog stvaralaštva. Upravo se pod tim urious Hellenistic cultural creativity. It was under this
utjecajem razvijaju i tzv. liburnske, srebrne pločaste fi- influences that the so-called Liburnian silver plate fib-
bule, posljednja prepoznatljiva kreacija umjetničkog ulae developed. They were the last recognizable crea-
obrta iz kulture središnjeg prostora Liburnije. Iz Oso- tion of local artistic production in the culture of the
