Page 40 - Kavur, Boris, Marija Lubšina Tušek, 2016. Na stičišču svetov | On the Crossroad of Worlds. Koper: Založba Univerze na Primorskem | University of Primorska Press.

stičišču svetov ■ on the crossroad of worlds 38 certoške fibule ter temnomodra steklena jagoda z belo
valovnico (Teržan et alii 1984, T. 13, F., 1985, 58).
Če povzamemo, nam pravzaprav fibule s štirimi pav-
kami ne nudijo dobrih okvirjev za njihovo datiranje,
kar pomeni, da se lahko naslonimo zgolj na datacije fi-
bul iz skupine A. Pred skoraj dvema desetletjema je A.
M. Adam opozorila, da lahko za datiranje tega tipa fi-
bul uporabimo predvsem dva groba oziroma zaprta
konteksta – grob 1484 iz Mosta na Soči z uvrstitvijo
v stopnjo Sv. Lucija IIb, kar bi pomenilo sredino ozi-
roma tretjo četrtino 5. stoletja, ter grob 5 z nekropole
Valle Treba v Spini, kjer lahko riton Slikarja iz Eretrie ning of the alleged spread channels due to its specific
datiramo v čas okoli 425 BC. Dejstvo je, da predsta-
vljajo ulite pavkaste fibule na področju južno od Alp
redek element. Upoštevajoč tako tradicijo raziskav
kot tudi kulturno zgodovino petega stoletja pred na-
šim štetjem, kaže, da predstavljajo lokalne oblike naki-
ta, ki so bile razvite pod vplivom prodora tehnoloških
inovacij in estetskih elementov iz zahodnega halštat-
skega kroga. Tako je A. M. Adam fibulo iz Mechla,
ki je bila odkrita prav na začetku domnevne poti šir-
jenja, zaradi njene specifične oblikovanosti, to je več-
je pavke na loku ter manjših in bolj kroglastih pavk na
nogi, pojmovala kot prototip, iz katerega je vodil na-
daljnji razvoju te oblike fibul na prostoru južno od Alp
(Adam 1983). Večja količina fibul obeh variant v Mo-
stu na Soči, njihova prisotnost tako v bogatih kot tudi
skromnejših grobovih ter razširjenost posameznih fi-
bul v jugovzhodno-predalpskem prostoru kažejo,
da lahko najverjetneje prav slednje najdišče pojmuje-
mo kot enega, če ne že poglavitni center proizvodnje
5th century BC, and grave number 5 from the Valle Tre-
ba necropolis of Spina, where the rhyton of the Painter
from Eretria was dated to the period around 425 BC.
Cast kettledrum fibulae represent a rare element in
territory south of the Alps. Taking into account both
the tradition of research as well as the cultural history
of the fifth century BC, it appears that they represent
a local form of jewelry developed under the influence
of the penetration of technological innovations and
aesthetic elements from the Western Hallstatt cultur-
al circle. A. M. Adam, therefore, considered the fibula
from Mechel, which was discovered at the very begin-
design, this having a larger timpani on the bow and a
smaller and more spherical timpani on the foot, a pro-
totype from which further development of this form
of fibulae in territory south of the Alps was conducted
(Adam 1983). A larger number of fibulae of both vari-
ants in Most na Soči, their presence in rich as well as
more modest graves, and the distribution of individu-
al fibulae in the southeastern pre-Alpine area suggest
that it is likely that the latter site could be defined as
one, if not the main center of production for this type
of fibulae. An important site that also yielded a larger
quantity of these fibulae was certainly the large center
from the late Hallstatt period in Dolenjska-Magda-
lenska Gora (Tecco Hvala 2012, 352-361). The Dra-
va River corridor, representing the main direction of
communication between the central Alps and the
Pannonian Plain, should be thirdly positioned due to
its historical importance and illustration of commu-