Page 257 - Weiss, Jernej, ur. 2017. Glasbene migracije: stičišče evropske glasbene raznolikosti - Musical Migrations: Crossroads of European Musical Diversity. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 1
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from “baggage culture” to universally accepted cultural commitment ...
Slovenes. The occupier left and took along the loathsome “carpet-baggers”,
while Bosnia and Herzegovina remained part of Europe and its sociopolit-
ical and cultural space. Liberated from the occupier, it could think freely
about its cultural choices, without impositions and pressures, or fear for its
own national rights. We can therefore claim that the freedom of choice was
the decisive point that marked the moment when the culture that had ar-
rived in baggage became a universally accepted cultural orientation.
Bibliography
Anonym.. “Koncert u kasini – Mali vjesnik.” Sarajevski list, December 14, 1881, 2.
Anonym.. “Bosanske sevdalinke za klavir.” Učiteljska zora, May–August, 1907,
89.
Anonym.. “Pjevanje u našim srednjim školama.” Hrvatski dnevnik, Septem-
ber 6, 1907, 5.
Anonym.. “Platz muzik.” Srpska riječ, April 9, 1906, 3–4.
Anonym.. “Mitrovački tamburaši.” Srpska riječ, May 18, 1907, 3.
Anonym.. “Ciganska propaganda.” Srpska riječ, May 14, 1908, 3.
Bejtić, Alija. Ulice i trgovi Sarajeva. Sarajevo: Muzej grada, 1973.
Donia, Robert J.. “The Proximate Colony.” In Austria-Hungary, Bosnia-Her-
zegovina, and the Western Balkans1878–1918. Clemens Ruthner, Diana
Reynolds Cordileone, Ursula Reber and Raymond Detrez, ed.. New York:
Peter Lang, 2015, 67–83.
Kraljačić, Tomislav. Kalajev režim u Bosni i Hercegovini (1882–1903). Sarajevo:
Veselin Masleša, 1987.
Lešić, Josip. Pozorišni život Sarajeva (1878–1918.). Sarajevo: Svjetlost, 1973.
Okey, Robin. Taming Balkan Nationalism. New York: Oxford University Press,
2007.
Paćuka Lana, Muzički život u Sarajevu u periodu Austro-Ugarske uprave (1878–
1918). PhD diss., University of Sarajevo, 2014.
Paćuka, Lana. “Reception of Stevan Stojanović Mokranjac’s Composing Cre-
ativity in the Musical Life of B&H: Austro-Hungarian Period.” Muz-
ikologija, 16 (2014): 227–242.
Sarajevo. The Archives of Bosnia-Herzegovina. Nova publikacija 3, rkp.
Sarajevo. The Archives of Bosnia-Herzegovina. ZMF, 1911, br. 18630/1911.
Sarajevo. The Archives of Bosnia-Herzegovina. ZVS, 1908, šf. 221–77.
Sarajevo. The Historical Archive Sarajevo. O-FM-18, kutija I.
255
Slovenes. The occupier left and took along the loathsome “carpet-baggers”,
while Bosnia and Herzegovina remained part of Europe and its sociopolit-
ical and cultural space. Liberated from the occupier, it could think freely
about its cultural choices, without impositions and pressures, or fear for its
own national rights. We can therefore claim that the freedom of choice was
the decisive point that marked the moment when the culture that had ar-
rived in baggage became a universally accepted cultural orientation.
Bibliography
Anonym.. “Koncert u kasini – Mali vjesnik.” Sarajevski list, December 14, 1881, 2.
Anonym.. “Bosanske sevdalinke za klavir.” Učiteljska zora, May–August, 1907,
89.
Anonym.. “Pjevanje u našim srednjim školama.” Hrvatski dnevnik, Septem-
ber 6, 1907, 5.
Anonym.. “Platz muzik.” Srpska riječ, April 9, 1906, 3–4.
Anonym.. “Mitrovački tamburaši.” Srpska riječ, May 18, 1907, 3.
Anonym.. “Ciganska propaganda.” Srpska riječ, May 14, 1908, 3.
Bejtić, Alija. Ulice i trgovi Sarajeva. Sarajevo: Muzej grada, 1973.
Donia, Robert J.. “The Proximate Colony.” In Austria-Hungary, Bosnia-Her-
zegovina, and the Western Balkans1878–1918. Clemens Ruthner, Diana
Reynolds Cordileone, Ursula Reber and Raymond Detrez, ed.. New York:
Peter Lang, 2015, 67–83.
Kraljačić, Tomislav. Kalajev režim u Bosni i Hercegovini (1882–1903). Sarajevo:
Veselin Masleša, 1987.
Lešić, Josip. Pozorišni život Sarajeva (1878–1918.). Sarajevo: Svjetlost, 1973.
Okey, Robin. Taming Balkan Nationalism. New York: Oxford University Press,
2007.
Paćuka Lana, Muzički život u Sarajevu u periodu Austro-Ugarske uprave (1878–
1918). PhD diss., University of Sarajevo, 2014.
Paćuka, Lana. “Reception of Stevan Stojanović Mokranjac’s Composing Cre-
ativity in the Musical Life of B&H: Austro-Hungarian Period.” Muz-
ikologija, 16 (2014): 227–242.
Sarajevo. The Archives of Bosnia-Herzegovina. Nova publikacija 3, rkp.
Sarajevo. The Archives of Bosnia-Herzegovina. ZMF, 1911, br. 18630/1911.
Sarajevo. The Archives of Bosnia-Herzegovina. ZVS, 1908, šf. 221–77.
Sarajevo. The Historical Archive Sarajevo. O-FM-18, kutija I.
255
