Page 399 - Weiss, Jernej, ur. 2020. Konservatoriji: profesionalizacija in specializacija glasbenega dela ▪︎ The conservatories: professionalisation and specialisation of musical activity. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 4
P. 399
socio-political discourses of the development of music education ...
to their paths towards the fulfillment of the final goal – the immac-
ulate interpretation – have left a strong imprint on the generations
of pianists educated at our Academy.41
Bibliography
Đurić-Klajn, Stana. “Muzičko školovanje u Srbiji do 1914. godine” [Music Edu-
cation in Serbia until 1914]. In Muzička škola “Mokranjac” 1899–1974 [Music
School “Mokranjac” 1899–1974], edited by Vera Zečević, 11–41. Belgrade: Mu-
sic School “Mokranjac”, 1974.
Đurić-Klajn, Stana. Akordi prošlosti [Chords of the Past]. Belgrade: Prosveta, 1981.
Hajek, Emil. “Perspektive mladih pijanista” [Perspectives of Young Pianists]. In
Dvadeset pet godina Muzičke akademije u Beogradu 1937–1962 [Twenty-Five
Years of the Music Academy in Belgrade 1937–1962], edited by Predrag Mi-
lošević, 45–53. Belgrade: Music Academy, 1962.
Jovičić, Dubravka. “Katedra za klavir” [The Department for Piano]. In Naših 80
godina – Kultura sećanja [Our 80 Years – The Culture of Remembrance], ed-
ited by Ivana Perković, 141–152. Belgrade: Faculty of Music, 2018.
Manojlović, Kosta P., ed. Muzička akademija u Beogradu – Academia artium mu-
sicarum Belgradensis [Music Academy in Belgrade], Annual report for the
first academic year 1937/38. Belgrade: Music Academy, 1938.
Medić, Ivana, ed. Radio i srpska muzika [Radio and Serbian Music]. Belgrade: In-
stitute of Musicology SASA, 2015.
Milanović, Biljana, ed. Na marginama muzikološkog kanona: kompozitorska gen-
eracija Petra Stojanovića, Petra Krstića i Stanislava Biničkog [On the Margins
of the Musicological Canon: The Generation of Composers Petar Stojanović,
Petar Krstić and Stanislav Binički]. Belgrade: Serbian Musicological Society
and the Institute of Musicology SASA, 2019.
Milanović, Biljana. “Reaffirmation of the Forgotten Serbian Music: Three Sonatas
of Petar Stojanović for One String Instrument and Piano.” CD Sonatas of Pe-
tar Stojanović, 5–19. Belgrade: Serbian Musicological Society, 2019.
Milanović, Biljana. “Proučavanje umetničke biografije i muzičkog delovanja Pet-
ra Stojanovića: prilog identifikaciji i razmatranju istraživačkih izvora” [The
Study of Artistic Biography and Musical Activities of Petar Stojanović: A
Contribution to the Identification and Consideration of Research Sources].
Zbornik Matice srpske za scenske umetnosti i muziku 61 (forthcoming).
Milojević, Miloje. “O muzikalnom vaspitanju” [On Music Education], Part I,
Prosvetni glasnik 1 (1920): 19–27.
Milojević, Miloje. “O muzikalnom vaspitanju” [On Music Education], Part II,
Prosvetni glasnik 3 (1920): 150–156.
41 Jovičić, “Katedra za klavir,” 143.
397
to their paths towards the fulfillment of the final goal – the immac-
ulate interpretation – have left a strong imprint on the generations
of pianists educated at our Academy.41
Bibliography
Đurić-Klajn, Stana. “Muzičko školovanje u Srbiji do 1914. godine” [Music Edu-
cation in Serbia until 1914]. In Muzička škola “Mokranjac” 1899–1974 [Music
School “Mokranjac” 1899–1974], edited by Vera Zečević, 11–41. Belgrade: Mu-
sic School “Mokranjac”, 1974.
Đurić-Klajn, Stana. Akordi prošlosti [Chords of the Past]. Belgrade: Prosveta, 1981.
Hajek, Emil. “Perspektive mladih pijanista” [Perspectives of Young Pianists]. In
Dvadeset pet godina Muzičke akademije u Beogradu 1937–1962 [Twenty-Five
Years of the Music Academy in Belgrade 1937–1962], edited by Predrag Mi-
lošević, 45–53. Belgrade: Music Academy, 1962.
Jovičić, Dubravka. “Katedra za klavir” [The Department for Piano]. In Naših 80
godina – Kultura sećanja [Our 80 Years – The Culture of Remembrance], ed-
ited by Ivana Perković, 141–152. Belgrade: Faculty of Music, 2018.
Manojlović, Kosta P., ed. Muzička akademija u Beogradu – Academia artium mu-
sicarum Belgradensis [Music Academy in Belgrade], Annual report for the
first academic year 1937/38. Belgrade: Music Academy, 1938.
Medić, Ivana, ed. Radio i srpska muzika [Radio and Serbian Music]. Belgrade: In-
stitute of Musicology SASA, 2015.
Milanović, Biljana, ed. Na marginama muzikološkog kanona: kompozitorska gen-
eracija Petra Stojanovića, Petra Krstića i Stanislava Biničkog [On the Margins
of the Musicological Canon: The Generation of Composers Petar Stojanović,
Petar Krstić and Stanislav Binički]. Belgrade: Serbian Musicological Society
and the Institute of Musicology SASA, 2019.
Milanović, Biljana. “Reaffirmation of the Forgotten Serbian Music: Three Sonatas
of Petar Stojanović for One String Instrument and Piano.” CD Sonatas of Pe-
tar Stojanović, 5–19. Belgrade: Serbian Musicological Society, 2019.
Milanović, Biljana. “Proučavanje umetničke biografije i muzičkog delovanja Pet-
ra Stojanovića: prilog identifikaciji i razmatranju istraživačkih izvora” [The
Study of Artistic Biography and Musical Activities of Petar Stojanović: A
Contribution to the Identification and Consideration of Research Sources].
Zbornik Matice srpske za scenske umetnosti i muziku 61 (forthcoming).
Milojević, Miloje. “O muzikalnom vaspitanju” [On Music Education], Part I,
Prosvetni glasnik 1 (1920): 19–27.
Milojević, Miloje. “O muzikalnom vaspitanju” [On Music Education], Part II,
Prosvetni glasnik 3 (1920): 150–156.
41 Jovičić, “Katedra za klavir,” 143.
397
