Page 61 - Herojska doba Histrov

Herojska doba Histrov

(kat. št. 55, 147). To so bile posode, ki so jih uporabljali za covered at three sites in Istria (Valtida, Tujan, Nesactium)
posmrtne pogostitve in obrede, nato pa so bile položene (cat. no. 44). The bovine head motif is characteristic
v grobove, s čimer so evocirale heroizacijo pokojnika, of the southern Italic Magna Graecian art of the time,
življenjski cikel, plodnost in nesmrten simpozij. Veliko from whence our Istrian specimens originate. A rhyton
drugih vrčkov, skodelic in celo amfor je bilo pripisanih t. i. placed in the grave may have signalled on the one hand
»novim posodam« daunijske lončarske produkcije (kat. št. the aristocratic ideal, and on the other the heroisation
135–142, 148–149), prisotni pa so tudi kraterji in skodelice of the deceased, to whom it guaranteed an immortal
reliefne keramike iz vzhodnojadranskih delavnic, medtem symposium, rebirth, and fertility, placing the deceased in
ko se nekvalitetnejši lokalni lončarski izdelki določajo kot the same mental category as a participant in the divine
posode impasto, ki so služile kot žare z grobimi primesmi banquet (Blečić Kavur, Kavur 2020). Represented from
(Mihovilić 2014, 260–262, 270–272; 2021, 516). the north Adriatic workshops is the grey pottery of Veneto
and the Alto Adriatico (“Upper Adriatic”) class of pottery
of the Etruscan workshops of Spina of the late 4 and
th
Podobno kot keramične tudi bronaste posode kažejo na ši-
3 centuries BCE (cat. nos. 143–144, 146, 150, 153). Two
rd
rok spekter uporabe iz razširjenih kulturnih okolij. Dolenjska
red–figure jugs with women’s heads painted in profile
in Benečija sta tradicionalno oskrbovali s figuralno okra-
šenimi situlami. V smislu zadnje faze tega umetniškega have been identified as goods deposited in the graves
of the wealthy in Nesactium (Mihovilić 2002; 2004; 2014,
sloga jih zaznamuje samo en figuralni friz, najpogosteje
274–276) (cat. nos. 55, 147). These were vessels used
živali (kat. št. 108, 154, 156). Nasprotno pa Histri v glo- in feasts and rites in memory of the deceased before
balnem obtoku sprejemajo tudi druge bronaste posode iz being laid into the grave, thus evoking the heroisation of
etruščanskih in makedonskih delavnic, med katerimi so
the deceased, the cycle of life, fertility, and the immortal
zvonaste in stamnoidne situle, stamnosi, ciste in drugi
symposium. Many other jugs, bowls and even amphorae
pripomočki, ki so se uporabljali pri razkošnih slovesnostih are attributed to the so–called “new vases” of Daunian
in obredih (Mihovilić 2007c; 2014, 258; 2017; Blečić Kavur
pottery production (cat. nos. 135–142, 148–149), and
2020; 2022a; 2022b; 2024b) (kat. št. 157, 159–162). there are kraters and beakers of relief pottery from the

workshops of the eastern Adriatic. Impasto ware such
Tako pri noši kot pri nakitu so prepoznane številne inova- as urns with coarse tempers have been attributed to the
cije, še posebej v zvezi s srebrnim nakitom v 3. stoletju pr. less well–known local pottery production (Mihovilić 2014,
n. št., kot so srebrne certoške fibule in fibule tipa Baška 260–262, 270–272; 2021, 516).
(Blečić Kavur 2015, 151–177) (kat. št. 165), podkvasti
uhani in zapestnice, pletene verižice in antropomorfni Like ceramic ware, the bronze ware also presents a broad
obeski, prevzeti iz helenističnih delavnic Liburnov, prav range of uses across a wide distribution of cultural mi-
tako pa tudi pogosta uporaba poznih bronastih certoških lieus. Lower Carniola and Veneto were traditionally sup-
fibul (Mihovilić 1995; 2014, 270). Nazadnje lahko prav v pliers of situlae with figural decoration. The final phase
of this artistic style is typified by a single, largely zoomor-
oblikah nakita in elementih oblačil zasledimo tudi posre-
phic, figural frieze (cat. nos. 108, 154, 156). In the global
dne keltske vplive, ki z ene strani odražajo široko razšir-
jeno modo, z druge pa regionalno proizvodnjo v zadnjih flow of trade the Histri, conversely, also absorbed other
bronze ware, from Etruscan and Macedonian workshops,
stoletjih starega veka, v času romanizacije polotoka in
including bell–shaped and stamnoid situlae, stamnoi,
postopne asimilacije avtohtonih prebivalcev, še posebej
na obalnem območju. Treba je omeniti latensko modo cistae, and other implements used at lavish festivities
and rituals (Mihovilić 2007c; 2014, 258; 2017; Blečić Ka-
vozlastih torkvesov ter valovitih bronastih in steklenih The Heroic Age of The Histri
vur 2020; 2022a; 2022b; 2024b) (cat. nos. 157, 159–162).
zapestnic (Buršić-Matijašić 1989; Sakara Sučević 2004,

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