Page 453 - Weiss, Jernej, ur. 2017. Glasbene migracije: stičišče evropske glasbene raznolikosti - Musical Migrations: Crossroads of European Musical Diversity. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 1
P. 453
summaries
gration), the type of migration (immigration, emigration or migration in
which Slovene territory was merely a transit route), the nature of their con-
nection with music (as composers, performers, promoters, craftsmen, pa-
trons, etc.) and their level of musical training (professional musicians, am-
ateurs and those whose primary profession or social status presupposed
musical activity).
The data obtained indicate a great variety of musical migrations in the Slo-
vene lands, although given the broadness of the concept of migrations, they
cannot be said to show the real state of music in these territories. The dis-
cussion therefore focuses above all on more permanent migrations and of-
fers a more detailed presentation of musicians who moved to Slovenia and
their influence on Slovenian musical life.
In order to offer a clearer picture of musical life in the seventeenth and
eighteenth centuries on the territory of present-day Slovenia, the study
highlights some of its leading figures and explains their influences. The
most prominent institutions with links to musical travellers on the terri-
tory of present-day Slovenia are presented and their activity is illustrated.
The holistic picture of musical migrations thus offered shows their role in
the development of music-making in the territory of present-day Slovenia
and the position of this territory in the broader context of European musi-
cal migrations.
Keywords: 17th and 18th centuries, Slovene territory, temporary/permanent
migrations, migrating musicians, Ljubljana Cathedral
Viktor Velek
Tamburitza music in the musical culture of Viennese Slavs
in the 19th and early 20th centuries
The text called Tamburitza music in the musical culture of Viennese Slavs
in the 19th and early 20th centuries reflects the research from the period of
2008–2011 (FWF-Project “Musikkultur der Wiener Tschechen 1840–1939”)
and in the following years.
The introduction focuses on the phenomenon of “Slavic Vienna” of the turn
of the 19th and 20th centuries. Both the living and political conditions of the
Slavs in the capital of the monarchy are closely related to the development
of their cultural life. The following part briefly defines tamburitza music
and the process of its dissemination as a result of Slavic students’ migra-
tion. This is followed by the methodology, focusing on the possible crite-
451
gration), the type of migration (immigration, emigration or migration in
which Slovene territory was merely a transit route), the nature of their con-
nection with music (as composers, performers, promoters, craftsmen, pa-
trons, etc.) and their level of musical training (professional musicians, am-
ateurs and those whose primary profession or social status presupposed
musical activity).
The data obtained indicate a great variety of musical migrations in the Slo-
vene lands, although given the broadness of the concept of migrations, they
cannot be said to show the real state of music in these territories. The dis-
cussion therefore focuses above all on more permanent migrations and of-
fers a more detailed presentation of musicians who moved to Slovenia and
their influence on Slovenian musical life.
In order to offer a clearer picture of musical life in the seventeenth and
eighteenth centuries on the territory of present-day Slovenia, the study
highlights some of its leading figures and explains their influences. The
most prominent institutions with links to musical travellers on the terri-
tory of present-day Slovenia are presented and their activity is illustrated.
The holistic picture of musical migrations thus offered shows their role in
the development of music-making in the territory of present-day Slovenia
and the position of this territory in the broader context of European musi-
cal migrations.
Keywords: 17th and 18th centuries, Slovene territory, temporary/permanent
migrations, migrating musicians, Ljubljana Cathedral
Viktor Velek
Tamburitza music in the musical culture of Viennese Slavs
in the 19th and early 20th centuries
The text called Tamburitza music in the musical culture of Viennese Slavs
in the 19th and early 20th centuries reflects the research from the period of
2008–2011 (FWF-Project “Musikkultur der Wiener Tschechen 1840–1939”)
and in the following years.
The introduction focuses on the phenomenon of “Slavic Vienna” of the turn
of the 19th and 20th centuries. Both the living and political conditions of the
Slavs in the capital of the monarchy are closely related to the development
of their cultural life. The following part briefly defines tamburitza music
and the process of its dissemination as a result of Slavic students’ migra-
tion. This is followed by the methodology, focusing on the possible crite-
451
