Page 459 - Weiss, Jernej, ur. 2020. Konservatoriji: profesionalizacija in specializacija glasbenega dela ▪︎ The conservatories: professionalisation and specialisation of musical activity. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 4
P. 459
contributors
smiths, University of London, and a convener of the BASEES Study group
for Russian and East European Music (REEM). She has led several interna-
tional projects, the latest of which is Beyond Quantum Music (2019–2022,
Creative Europe, EACEA). She is Vice-President of the Serbian Musicolog-
ical Society and Editor-in-Chief of the journal Musicology. She has pub-
lished four books and over 70 articles and edited five collections of essays.
Niall O’Loughlin (N.Oloughlin@lboro.ac.uk)
studied in the Universities of Edinburgh (MA) and Leicester (PhD), and has
specialised in the 20th and 21st-century music of Slovenia, the United King-
dom and Poland. His book Novejša glasba v Sloveniji: osebnosti in razvoj
was published in Ljubljana in 2000. He has written 30 papers for Slovenian
Music Days symposia, given many other conference papers, written various
articles for Muzikološki zbornik, numerous periodical articles, chapters for
books, and many articles for the various New Grove Dictionaries.
In 2007 he was elected a Corresponding Member of the Slovenian Acade-
my of Sciences and Arts.
Danutė Petrauskaitė (danute15petrauskaite@gmail.com)
is a researcher and a professor at Lithuanian Academy of Music and Thea-
tre, a member of Lithuania Composers’ Union and Association for the Ad-
vancement of Baltic Studies (AABS). In 1978 she graduated from Lithuani-
an State Conservatoire (now Lithuanian Academy of Music and Theatre);
in 1993 completed her post-graduate studies at Vilnius University, in 2001–
2015 led the Institute of Musicology at Klaipėda University. The principal
areas of her interest are Lithuanian music, cultural activity of Lithuanian
emigrants in exile, music and politics. She had published 5 books and about
70 articles, made numerous presentations at local and international musi-
cological conferences.
Antigona Rădulescu (antigonaradulescu@yahoo.com)
is musicologist and professor at the National University of Music Bucha-
rest, teaching courses on polyphony, semiotics and musical narratology.
Since 1991, she is member of the Romanian Union of Composers and Mu-
sicologists. Her musicological activity includes: published books - Perspec-
tive semiotice în muzică [Semiotic perspectives in music], Johann Sebastian
Bach, Introducere în semiotica muzicală [Introduction to musical semiotics]
- book for which she received the Romanian Academy Award, Odiseea mu-
457
smiths, University of London, and a convener of the BASEES Study group
for Russian and East European Music (REEM). She has led several interna-
tional projects, the latest of which is Beyond Quantum Music (2019–2022,
Creative Europe, EACEA). She is Vice-President of the Serbian Musicolog-
ical Society and Editor-in-Chief of the journal Musicology. She has pub-
lished four books and over 70 articles and edited five collections of essays.
Niall O’Loughlin (N.Oloughlin@lboro.ac.uk)
studied in the Universities of Edinburgh (MA) and Leicester (PhD), and has
specialised in the 20th and 21st-century music of Slovenia, the United King-
dom and Poland. His book Novejša glasba v Sloveniji: osebnosti in razvoj
was published in Ljubljana in 2000. He has written 30 papers for Slovenian
Music Days symposia, given many other conference papers, written various
articles for Muzikološki zbornik, numerous periodical articles, chapters for
books, and many articles for the various New Grove Dictionaries.
In 2007 he was elected a Corresponding Member of the Slovenian Acade-
my of Sciences and Arts.
Danutė Petrauskaitė (danute15petrauskaite@gmail.com)
is a researcher and a professor at Lithuanian Academy of Music and Thea-
tre, a member of Lithuania Composers’ Union and Association for the Ad-
vancement of Baltic Studies (AABS). In 1978 she graduated from Lithuani-
an State Conservatoire (now Lithuanian Academy of Music and Theatre);
in 1993 completed her post-graduate studies at Vilnius University, in 2001–
2015 led the Institute of Musicology at Klaipėda University. The principal
areas of her interest are Lithuanian music, cultural activity of Lithuanian
emigrants in exile, music and politics. She had published 5 books and about
70 articles, made numerous presentations at local and international musi-
cological conferences.
Antigona Rădulescu (antigonaradulescu@yahoo.com)
is musicologist and professor at the National University of Music Bucha-
rest, teaching courses on polyphony, semiotics and musical narratology.
Since 1991, she is member of the Romanian Union of Composers and Mu-
sicologists. Her musicological activity includes: published books - Perspec-
tive semiotice în muzică [Semiotic perspectives in music], Johann Sebastian
Bach, Introducere în semiotica muzicală [Introduction to musical semiotics]
- book for which she received the Romanian Academy Award, Odiseea mu-
457
