Page 49 - Herojska doba Histrov
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Herojska doba Histrov





            neposredni dokaz o obstoju šivanih plovil. Gre za najdbo   We learn from the available sources that boats were criti-
            ladijske konstrukcije iz podmorja zaliva Zambratija blizu   cal to Histrian survival, both in times of peace (transport,
            Umaga, ki je časovno umeščena v pozno bronasto dobo   piracy, etc.), and at times of war and military conflict (raids,
            in prav v začetno fazo histrske kulture. To odkritje kaže,   naval battles, defence of territorial waters, etc.). Although
            da so izvor, razvoj in uporaba tehnike takšne gradnje za-  they are not the only Adriatic people associated with piracy,
            koreninjeni že v bronastodobni prazgodovinski tradiciji   the only direct evidence we currently have of the existence
            (Koncani Uhač, Boetto, Uhač 2019).               of sewn boats pertains to them. This is the find of a sewn
                                                             boat structure in the seabed of the Zambratija cove near

            S prehodom v novo tisočletje, tj. nekje od 10. stoletja pr.   Umag, dated to the Late Bronze Age, precisely to this initial
            n. št., se v Istri pričenja razvoj železnodobne kulturne di-  phase of the Histrian culture. This discovery suggests
            namike, s čimer se uvajajo in v celoti sprejemajo novi tipi   that the origin, development, and use of this boat building
            posod. Prevladujejo žare v obliki trebušastega lonca ali   technique had its roots in a Bronze Age prehistoric tradition
            trebušastega vrča z dekoracijo na večjem delu posode, ki se   (Koncani Uhač, Boetto, Uhač 2019).
            uvaja pod vplivi italskega, vilanovskega kroga na eni strani   With the transition to the new millennium, i.e., at some
            in protogeometričnega sloga Egeje na drugi strani. Pove-  point in the 10  century BCE, we see in Istria, as in other
                                                                        th
            zani geometrijski motivi, zlasti spirale, valovnice, meandri,   areas, the development of Iron Age cultural dynamics,
            svastike in šrafirani rombi, so običajno izdelani z vrezova-  and with them the introduction and ultimately full adop-
            njem, vtiskanjem in belo inkrustacijo ali v reliefu (kat. št. 1,   tion of novel forms of ware. These are dominated by
            31–32, 56–59, 65, 67–70, 73, 80–81, 178–179). Figuralni   urns in the form of a globular jug or pot, with decoration
            motivi v dekorativni umetnosti se omejujejo na zoomorfne   covering much of the vessel. This draws on the influ-
            upodobitve, najpogosteje ptic, jelenov ali konj (Mihovilić   ence of the Italic, Villanovan sphere to one side, and
            2001a, 68–75; 2014, 158–195; 2021, 513). Ti motivi so tako   the proto–geometric style of the Aegean to the other.
            prevladali v splošni uporabi, da so postali del standardnega   Connected geometric patterns, in particular spirals, wavy
            umetniškega repertoarja Histrov. Zato jih najdemo tako na   lines, meanders, swastikas, and hatched rhombi were
            manjših kovinskih predmetih kot tudi na monumentalni   usually incised, impressed with white paste inlay, or done
            kamniti plastiki. Izpostaviti velja še manšetaste zapestnice   in relief (cat. nos. 1, 31–32, 57–59, 65, 67–70, 73, 80–81,
            iz tanke pločevine, trakaste zapestnice s sponko, nože in   178–179). The range of figural motifs in decorative art
            diskaste glavice igel, vse okrašene na večjem delu površine   is limited to zoomorphic imagery, usually of birds, deer,
            z opisanimi motivi (kat. št. 20, 46, 60, 71, 82). Poleg igel s   or horses (Mihovilić 2001a, 68–75; 2014, 158–195; 2021,
            stožčastimi glavicami nošo sestavljajo predvsem žične   513). These motifs were so prevalent in general use that
            fibule, kot so očalaste fibule in fibule z listastim lokom, nato   they became a part of the standard artistic repertoire of
            obeski in drug žični nakit (Mihovilić 1990; Sakara Sučević   the Histri. We find them thus on small metal objects and
            2004, 18–20; Mihovilić 2014, 170–176).           on monumental stone sculpture. Also notable are cuff
                                                             bracelets made of thin sheet metal, strap bracelets with
                                                             hooked latches, knives, and discoid pin heads, all with
            Uveljavljene tradicije kulturnih stikov in trajnega prepletanja
            se nadaljujejo s prostorom celotnega Jadrana in zaledja   much of the surface decorated with the above–described
                                                             motifs and patterns (cat. nos. 20, 46, 60, 71, 82). Besides
            od 10., predvsem pa v 9. in 8. stoletju pr. n. št. Odražajo se
                                                             pins with conical heads, the apparel includes for the most
            tako v sorodnostih pri izvedbi posameznih tipov materialne
            kulture kot tudi v uvoženih predmetih. Posebno pozornost   part wire fibulae, such as spectacle fibulae and fibulae
                                                             with leaf–like bows, pendants, and other wire jewellery
            pritegnejo ročaji bronastih ražnjev iz Nezakcija (kat. št.                                           The Heroic Age of The  Histri
                                                             (Mihovilić 1990; Sakara Sučević 2004, 18–20; Mihovilić
            89), saj so imeli ti predmeti pomembno vlogo v predmone-
                                                             2014, 170–176).
            tarni veletrgovini s surovinami po celotnem halštatskem


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