Page 43 - Rezoničnik, Lidija, in Marcello Potocco, ur., 2016. Družbeni in politični procesi v sodobnih slovanskih kulturah, jezikih in literaturah ▪︎ Social and political processes in modern slavic cultures, languages and literatures. Koper: Založba Univerze na Primorskem.
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course, the creative process, literary and social context and the mednarodno znanstveno srečanje mladih humanistov, 2016 41
position of the poet in it, as well as the processes of reception. A
contribution of Eva Müller-Zettelmann is vital to understand the
metapoetics. She points out that the list of metathemes may ex
pand randomly, but the theme must relate to a specific aspect of
fictionality of the work of art. Metapoetry has a special weight for
understanding personal poetics and the role of poetry in a social
context. As Müller-Zettelmann says, metapoetry demonstrates an
intertwinement of poetic theory and practice.
In Slovenian poetry - as Marko Juvan says - a meaningful place has
belonged to metapoems since the poetry of France Prešeren, who
raised the autonomy of poetry through them. In this article the
analysis will concentrate on metapoetry of chosen younger gener
ation poets, who debuted on the Slovenian literary scene after Slo
venia’s independence and the establishment of a democratic politi
cal system. The article will reveal mirroring of the character of the
poet, poetry, and their place in literary creations of the generation
of poets who began creating after the groundbreaking socio-polit
ical events.
Analysis of the poems will take into account the social circumstanc
es and literary-aesthetic guidelines within which the poets create
their work. It will also show what kind of metamorphosis the meta
poetic images experience in accordance to the exposed factors.
Mateja Eniko (1986) je na Filozofski fakulteti Univerze v Ljubljani
študirala slovenistiko in primerjalno književnost. Diplomirala je le
ta 2010 z diplomsko nalogo Humor in ironija v poeziji Milana Jesi
ha pod mentorstvom dr. Irene Novak Popov in dr. Matevža Kosa. V
šolskem letu 2010/2011 je delala kot asistentka za slovenski jezik na
avstrijskem Koroškem. Nato je opravljala pripravništvo na Gimna
ziji Bežigrad. Od leta 2009 je sodelavka Centra za slovenščino kot
drugi/tuji jezik, Filozofska fakulteta, Univerza v Ljubljani: poučuje
na tečajih slovenskega jezika in sodeluje z Izpitnim centrom. Od le
ta 2014 je zaposlena na Univerzi v Novi Gorici kot mlada raziskoval
ka in asistentka za književnost.
Mateja Eniko (1986) studied Slovenian studies and comparative lit
erature at the Faculty of Arts in Ljubljana. She graduated in 2010
with the thesis Humour and irony in poetry of Milan Jesih under
the supervision of dr. Irena Novak Popov and dr. Matevž Kos. In
the school year 2010/2011 she worked as an assistant for the Slo
position of the poet in it, as well as the processes of reception. A
contribution of Eva Müller-Zettelmann is vital to understand the
metapoetics. She points out that the list of metathemes may ex
pand randomly, but the theme must relate to a specific aspect of
fictionality of the work of art. Metapoetry has a special weight for
understanding personal poetics and the role of poetry in a social
context. As Müller-Zettelmann says, metapoetry demonstrates an
intertwinement of poetic theory and practice.
In Slovenian poetry - as Marko Juvan says - a meaningful place has
belonged to metapoems since the poetry of France Prešeren, who
raised the autonomy of poetry through them. In this article the
analysis will concentrate on metapoetry of chosen younger gener
ation poets, who debuted on the Slovenian literary scene after Slo
venia’s independence and the establishment of a democratic politi
cal system. The article will reveal mirroring of the character of the
poet, poetry, and their place in literary creations of the generation
of poets who began creating after the groundbreaking socio-polit
ical events.
Analysis of the poems will take into account the social circumstanc
es and literary-aesthetic guidelines within which the poets create
their work. It will also show what kind of metamorphosis the meta
poetic images experience in accordance to the exposed factors.
Mateja Eniko (1986) je na Filozofski fakulteti Univerze v Ljubljani
študirala slovenistiko in primerjalno književnost. Diplomirala je le
ta 2010 z diplomsko nalogo Humor in ironija v poeziji Milana Jesi
ha pod mentorstvom dr. Irene Novak Popov in dr. Matevža Kosa. V
šolskem letu 2010/2011 je delala kot asistentka za slovenski jezik na
avstrijskem Koroškem. Nato je opravljala pripravništvo na Gimna
ziji Bežigrad. Od leta 2009 je sodelavka Centra za slovenščino kot
drugi/tuji jezik, Filozofska fakulteta, Univerza v Ljubljani: poučuje
na tečajih slovenskega jezika in sodeluje z Izpitnim centrom. Od le
ta 2014 je zaposlena na Univerzi v Novi Gorici kot mlada raziskoval
ka in asistentka za književnost.
Mateja Eniko (1986) studied Slovenian studies and comparative lit
erature at the Faculty of Arts in Ljubljana. She graduated in 2010
with the thesis Humour and irony in poetry of Milan Jesih under
the supervision of dr. Irena Novak Popov and dr. Matevž Kos. In
the school year 2010/2011 she worked as an assistant for the Slo
