Page 417 - Weiss, Jernej, ur. 2017. Glasbene migracije: stičišče evropske glasbene raznolikosti - Musical Migrations: Crossroads of European Musical Diversity. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 1
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a serbian composer in france: national identity and cosmopolitanism ...

versity and “contrasts rather than uniformity”27, as well as a necessary di-
mension of internationalism; these conditions should also be provided in
the future in order to preserve a fertile ground for creative work. Damni-
anovitch found them in his French “home”, which follows from his remark
that “Paris is a city that permits one to be what he is”28. Fortunately, he was
able to find a place of his own in the metropolis of cosmopolitanism, maybe
partly by keeping in mind the warning regarding the threats of “the strong
Western civilisation”29 he had received from Enriko Josif before leaving Bel-
grade.

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27 Hannerz, “Cosmopolitans and Locals in World Culture,” 239.
28 From a conversation with the author of this article, held in Belgrade on 24 February

2016.
29 See footnote 2.

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