Page 472 - Weiss, Jernej, ur. 2017. Glasbene migracije: stičišče evropske glasbene raznolikosti - Musical Migrations: Crossroads of European Musical Diversity. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 1
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glasbene migracije: stičišče evropske glasbene raznolikosti
nal Musicology (2006–2010), and the journal Matica Srpska Journal of Stage
Arts and Music (from 2011).
Katarina Trček Marušič (katarina.trcek@zrc-sazu.si)
defended her doctoral dissertation, entitled Orgle in orgelska glasba v slov-
enski kulturni zgodovini do nastopa cecilijanstva, in 2015. In it, she explores
organs, organ builders and organ music in the Slovene lands up to 1877.
Since 2014 she has been employed as a research assistant at the ZRC SAZU
Institute of Musicology in Ljubljana, where she is currently researching mi-
grant musicians of the 17th and 18th centuries who were active in the ter-
ritory of present-day Slovenia as part of the international HERA project
MusMig. She is also conducting further research into the Slovene organ
landscape, where her interest is mainly focused on earlier periods.
Viktor Velek (viktor.velek@gmx.de)
musicologist, his research topics are the cult of St. Wenceslas in music, the
musical culture of the Slavic minorities in Vienna 1840–1945 and musical
cooperation between the Czechs and Sorbs/Wends in the “long 19th centu-
ry”.
Jernej Weiss (jernej.weiss@ag.uni-lj.si)
studied musicology at the University of Ljubljana, Faculty of Arts, Depart-
ment of Musicology and the Institute of Musicology at the University of
Regensburg. From 2005 to 2009 he worked as an Assistant at the Depart-
ment of Musicology of the Faculty of Arts in Ljubljana, and in 2009 was
promoted to Assistant and in 2016 to Full Professor for musicology at the
University of Ljubljana and University of Maribor. From 2011 he is an Ed-
itor-in-chief of the main, peer-reviewed Slovene musicological periodical
Musicological Annual. His research work is focused on issues related to mu-
sic from the 19th century to the present, particularly music that in one way
or another focuses on the Slovenian and Czech cultural environments. He
is the author of three scientific monographs. From 2016 he is head of the in-
ternational musicology symposium of the Slovenian Music Days.
Ingeborg Zechner (ingeborg.zechner@sbg.ac.at)
studierte Musikologie und Betriebswirtschaft an der Karl-Franzens-Uni-
versität und der Universität für Musik und Darstellende Kunst Graz. 2014
Promotion im Fachbereich historischer Musikwissenschaft mit einer Dis-
470
nal Musicology (2006–2010), and the journal Matica Srpska Journal of Stage
Arts and Music (from 2011).
Katarina Trček Marušič (katarina.trcek@zrc-sazu.si)
defended her doctoral dissertation, entitled Orgle in orgelska glasba v slov-
enski kulturni zgodovini do nastopa cecilijanstva, in 2015. In it, she explores
organs, organ builders and organ music in the Slovene lands up to 1877.
Since 2014 she has been employed as a research assistant at the ZRC SAZU
Institute of Musicology in Ljubljana, where she is currently researching mi-
grant musicians of the 17th and 18th centuries who were active in the ter-
ritory of present-day Slovenia as part of the international HERA project
MusMig. She is also conducting further research into the Slovene organ
landscape, where her interest is mainly focused on earlier periods.
Viktor Velek (viktor.velek@gmx.de)
musicologist, his research topics are the cult of St. Wenceslas in music, the
musical culture of the Slavic minorities in Vienna 1840–1945 and musical
cooperation between the Czechs and Sorbs/Wends in the “long 19th centu-
ry”.
Jernej Weiss (jernej.weiss@ag.uni-lj.si)
studied musicology at the University of Ljubljana, Faculty of Arts, Depart-
ment of Musicology and the Institute of Musicology at the University of
Regensburg. From 2005 to 2009 he worked as an Assistant at the Depart-
ment of Musicology of the Faculty of Arts in Ljubljana, and in 2009 was
promoted to Assistant and in 2016 to Full Professor for musicology at the
University of Ljubljana and University of Maribor. From 2011 he is an Ed-
itor-in-chief of the main, peer-reviewed Slovene musicological periodical
Musicological Annual. His research work is focused on issues related to mu-
sic from the 19th century to the present, particularly music that in one way
or another focuses on the Slovenian and Czech cultural environments. He
is the author of three scientific monographs. From 2016 he is head of the in-
ternational musicology symposium of the Slovenian Music Days.
Ingeborg Zechner (ingeborg.zechner@sbg.ac.at)
studierte Musikologie und Betriebswirtschaft an der Karl-Franzens-Uni-
versität und der Universität für Musik und Darstellende Kunst Graz. 2014
Promotion im Fachbereich historischer Musikwissenschaft mit einer Dis-
470
