Page 471 - Weiss, Jernej, ur. 2017. Glasbene migracije: stičišče evropske glasbene raznolikosti - Musical Migrations: Crossroads of European Musical Diversity. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 1
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contributors
Jim Samson (jim.samson@rhul.ac.uk)
is Emeritus Professor of Music at Royal Holloway, University of London. He
has published widely on the music of Chopin and Liszt, on analytical and
aesthetic topics in nineteenth- and twentieth-century music, and on the
cultural histories of East Central and South Eastern Europe. In 1989 he was
awarded the Order of Merit from the Polish Ministry of Culture, in 2000 he
was elected a Fellow of the British Academy, and in 2016 he was awarded an
honorary doctorate by the Ionian University. He is currently working on a
book entitled Black Sea Sketches: Music, Place and People.
Cristina Scuderi (cristina.scuderi@uni-graz.at)
is a post-doc university assistant at Karl Franzens University in Graz and
holds diplomas in Organ, Harpsichord and Electronic music. After collab-
orating with Teatro La Fenice and Rinascimento Digitale Foundation, the
Universities of Fribourg and Stuttgart, she has taught at the Universities of
Padua and Florence as well as at the Conservatory of Venice. Recipient of
several fellowships, she has been co-managing the International Composi-
tion Competition “Città di Udine” and the New Music Festival “Contem-
poranea” since 2005 and is currently working on the recovery of the XIX
Century Italian documentation related to opera in Istrian and Dalmatian
territories.
Lubomír Spurný (L.Spurny@seznam.cz)
is Professor of Musicology at the Institute of Musicology, Masaryk Univer-
sity, Brno. In his research, he concentrates himself on the music theory and
aesthetics of the first half of the 20th century. He is the author of the books
on Heinrich Schenker and Alois Hába and editor of several other books
and journals.
Katarina Tomašević (katarina.tomashevic@gmail.com)
is a Senior Research Associate at the Institute of Musicology of the SASA
(Belgrade). Author of the book Serbian Music on the Cross-Roads between
East and West? On Dialogue between the Traditional and the Modern in
Serbian Music between Two World Wars (2009), she was also the editor of
the two collective monographs (Beyond the East-West Divide: Rethinking
Balkan Music’s Poles of Attraction, 2015; Davorin Jenko (1935–1914). Contri-
butions to Cultural Remembrance. She has published numerous articles at
home and abroad and served as editor–in–chief of the international jour-
469
Jim Samson (jim.samson@rhul.ac.uk)
is Emeritus Professor of Music at Royal Holloway, University of London. He
has published widely on the music of Chopin and Liszt, on analytical and
aesthetic topics in nineteenth- and twentieth-century music, and on the
cultural histories of East Central and South Eastern Europe. In 1989 he was
awarded the Order of Merit from the Polish Ministry of Culture, in 2000 he
was elected a Fellow of the British Academy, and in 2016 he was awarded an
honorary doctorate by the Ionian University. He is currently working on a
book entitled Black Sea Sketches: Music, Place and People.
Cristina Scuderi (cristina.scuderi@uni-graz.at)
is a post-doc university assistant at Karl Franzens University in Graz and
holds diplomas in Organ, Harpsichord and Electronic music. After collab-
orating with Teatro La Fenice and Rinascimento Digitale Foundation, the
Universities of Fribourg and Stuttgart, she has taught at the Universities of
Padua and Florence as well as at the Conservatory of Venice. Recipient of
several fellowships, she has been co-managing the International Composi-
tion Competition “Città di Udine” and the New Music Festival “Contem-
poranea” since 2005 and is currently working on the recovery of the XIX
Century Italian documentation related to opera in Istrian and Dalmatian
territories.
Lubomír Spurný (L.Spurny@seznam.cz)
is Professor of Musicology at the Institute of Musicology, Masaryk Univer-
sity, Brno. In his research, he concentrates himself on the music theory and
aesthetics of the first half of the 20th century. He is the author of the books
on Heinrich Schenker and Alois Hába and editor of several other books
and journals.
Katarina Tomašević (katarina.tomashevic@gmail.com)
is a Senior Research Associate at the Institute of Musicology of the SASA
(Belgrade). Author of the book Serbian Music on the Cross-Roads between
East and West? On Dialogue between the Traditional and the Modern in
Serbian Music between Two World Wars (2009), she was also the editor of
the two collective monographs (Beyond the East-West Divide: Rethinking
Balkan Music’s Poles of Attraction, 2015; Davorin Jenko (1935–1914). Contri-
butions to Cultural Remembrance. She has published numerous articles at
home and abroad and served as editor–in–chief of the international jour-
469
