Page 469 - Weiss, Jernej, ur. 2017. Glasbene migracije: stičišče evropske glasbene raznolikosti - Musical Migrations: Crossroads of European Musical Diversity. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 1
P. 469
contributors
2001. On the 22nd October 2003 he was appointed Doctor honoris cuasa at
the Lyssenko Conservatory in Lvov. Dean of the Department of History,
Art History and Oriental Studies at the Leipzig University between 2003
and 2005. Honorary member of the Gesellschaft für deutsche Musikkultur
im südöstlichen Europa (Society of German musical culture in Southeast
Europe) in Munich since 2005. 2014 honorary doctor of the Universitatea
Naţională de Muzică din Bucureşti. He is member of international edit-
ing councils of the periodicals Hudební věda (Prague), Lituvos muzikologija
(Vilnius), Musicological Annual (Ljubljana), Musicology Today (Bucharest),
Muzica. Romanian Music Magazine (Bucharest) and Studies in Penderecki
(Princeton, New Jersey).
Melita Milin (melita_milin@yahoo.com)
is a senior researcher at the Institute of Musicology in Belgrade. She ob-
tained her PhD at the University of Ljubljana (1995). Her main research
area is 20th century Serbian music in a European context, with emphasis
on musical nationalism, the relationship between music and politics and
the output of Ljubica Marić, a female Serbian composer. She was a mem-
ber of three international musicological projects; co-founder and editor of
the first five annual issues of the international journal Muzikologija (2001–
2005); author of a book on Serbian music after 1945 and numerous articles
published in Serbia and abroad; also the editor of several collected papers.
Andrej Misson (andrej.misson@siol.net)
is a Slovene composer, researcher, expert on music theory and counter-
point, teacher, choir director, organist, pianist and harpsichordist. He is
an associate professor at the Academy of Music, where he teaches theo-
retical courses and composition. His oeuvre as a composer covers a wide
range of genres. His major compositions include: Himna evropski Sloveni-
ji for choir and orchestra, Slovenski vojni requiem for soloist, mixed choir
and orchestra, the cantata Primorska for male choir and orchestra, Tea4T-
wo for orchestra, Dim nad vodo for orchestra, and a Christmas Te Deum for
choir and orchestra. He also writes chamber music, solo music, choir mu-
sic, songs and chansons. He has published numerous articles on music the-
ory in a range of scientific publications. He lives and works in Škofja Loka.
467
2001. On the 22nd October 2003 he was appointed Doctor honoris cuasa at
the Lyssenko Conservatory in Lvov. Dean of the Department of History,
Art History and Oriental Studies at the Leipzig University between 2003
and 2005. Honorary member of the Gesellschaft für deutsche Musikkultur
im südöstlichen Europa (Society of German musical culture in Southeast
Europe) in Munich since 2005. 2014 honorary doctor of the Universitatea
Naţională de Muzică din Bucureşti. He is member of international edit-
ing councils of the periodicals Hudební věda (Prague), Lituvos muzikologija
(Vilnius), Musicological Annual (Ljubljana), Musicology Today (Bucharest),
Muzica. Romanian Music Magazine (Bucharest) and Studies in Penderecki
(Princeton, New Jersey).
Melita Milin (melita_milin@yahoo.com)
is a senior researcher at the Institute of Musicology in Belgrade. She ob-
tained her PhD at the University of Ljubljana (1995). Her main research
area is 20th century Serbian music in a European context, with emphasis
on musical nationalism, the relationship between music and politics and
the output of Ljubica Marić, a female Serbian composer. She was a mem-
ber of three international musicological projects; co-founder and editor of
the first five annual issues of the international journal Muzikologija (2001–
2005); author of a book on Serbian music after 1945 and numerous articles
published in Serbia and abroad; also the editor of several collected papers.
Andrej Misson (andrej.misson@siol.net)
is a Slovene composer, researcher, expert on music theory and counter-
point, teacher, choir director, organist, pianist and harpsichordist. He is
an associate professor at the Academy of Music, where he teaches theo-
retical courses and composition. His oeuvre as a composer covers a wide
range of genres. His major compositions include: Himna evropski Sloveni-
ji for choir and orchestra, Slovenski vojni requiem for soloist, mixed choir
and orchestra, the cantata Primorska for male choir and orchestra, Tea4T-
wo for orchestra, Dim nad vodo for orchestra, and a Christmas Te Deum for
choir and orchestra. He also writes chamber music, solo music, choir mu-
sic, songs and chansons. He has published numerous articles on music the-
ory in a range of scientific publications. He lives and works in Škofja Loka.
467
