Page 467 - Weiss, Jernej, ur. 2017. Glasbene migracije: stičišče evropske glasbene raznolikosti - Musical Migrations: Crossroads of European Musical Diversity. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 1
P. 467
contributors
Fatima Hadžić (fatima_hadzic@yahoo.com)
received her BA (in Piano and Musicology), MA (in Musicology) and PhD
degree in Musicology from the Academy of Music of the University of Sara-
jevo, Bosnia and Herzegovina. She is Professor of Musicology and the Head
of the Department of Musicology and Ethnomusicology at the Academy of
Music in Sarajevo. Her primary areas of scholarly interest is history of mu-
sic in Bosnia and Herzegovina. She is the President of the Musicological So-
ciety of the Federation of Bosnia and Herzegovina an active member of the
ICTM National Committee for Bosnia and Herzegovina, contributor in re-
search projects of the Institute of Musicology and Ethnomusicology, and
assistant editor of the peer-reviewed journal Muzika (Music).
Irena Gantar Godina (Irenagg22@gmail.com)
PhD in history, BA Philosophy, scientific adviser (retired); fields of work fo-
cused on 19th Century: comparison of different ideas on Slovene-Slavic co-
operation, Slovene intellectuals in Slavic countries, impact of Slavic, mainly
Czech intellectuals upon Slovene cultural and political thought.
Vjera Katalinić (fides@hazu.hr)
musicologist, science advisor and director at the Department for the His-
tory of Croatian Music, Croatian Academy of Sciences and Arts in Zagreb,
Croatia; full professor at the University of Zagreb, Music Academy, editor
of the musicological journal Arti musices. Fields of interest: 18th and 19th-
-century musical culture; musical collections and archives. Leader of the
HERA project Music migrations in the early modern age: the meeting of the
European East, West and South.
Luba Kyyanovska (luba.kyjan@gmail.com)
Studium der Musikwissenschaft am Lviver Staatlichen Konservatorium
„Mykola Lyssenko“ (1979). PhD 1985 (Funktionen des Programms in der
Wahrnehmung des Musikwerkes), habilitiert 2000 (Die Evolution der gali-
zischen Musikkultur der XIX.–XX. Jahrhunderte); von 1987 – Dozent, von
1995 – Professor, von 1991 – Inhaberin des Stuhls für Musikgeschichte an
Lviver Nationalen Musikakademie „Mykola Lyssenko“. Forschungsschwer-
punkte – Musikkultur Galiziens, Musikpsychologie, Geschichte der uk-
rainischen Musik, Beziehungen der ukrainischen Musik zu anderen euro-
päischen musikalischen Nationalschulen, Musikpädagogik. Autorin der 6
Monographien, 8 Lehrbücher und za. 400 Veröffentlichungen in den wis-
465
Fatima Hadžić (fatima_hadzic@yahoo.com)
received her BA (in Piano and Musicology), MA (in Musicology) and PhD
degree in Musicology from the Academy of Music of the University of Sara-
jevo, Bosnia and Herzegovina. She is Professor of Musicology and the Head
of the Department of Musicology and Ethnomusicology at the Academy of
Music in Sarajevo. Her primary areas of scholarly interest is history of mu-
sic in Bosnia and Herzegovina. She is the President of the Musicological So-
ciety of the Federation of Bosnia and Herzegovina an active member of the
ICTM National Committee for Bosnia and Herzegovina, contributor in re-
search projects of the Institute of Musicology and Ethnomusicology, and
assistant editor of the peer-reviewed journal Muzika (Music).
Irena Gantar Godina (Irenagg22@gmail.com)
PhD in history, BA Philosophy, scientific adviser (retired); fields of work fo-
cused on 19th Century: comparison of different ideas on Slovene-Slavic co-
operation, Slovene intellectuals in Slavic countries, impact of Slavic, mainly
Czech intellectuals upon Slovene cultural and political thought.
Vjera Katalinić (fides@hazu.hr)
musicologist, science advisor and director at the Department for the His-
tory of Croatian Music, Croatian Academy of Sciences and Arts in Zagreb,
Croatia; full professor at the University of Zagreb, Music Academy, editor
of the musicological journal Arti musices. Fields of interest: 18th and 19th-
-century musical culture; musical collections and archives. Leader of the
HERA project Music migrations in the early modern age: the meeting of the
European East, West and South.
Luba Kyyanovska (luba.kyjan@gmail.com)
Studium der Musikwissenschaft am Lviver Staatlichen Konservatorium
„Mykola Lyssenko“ (1979). PhD 1985 (Funktionen des Programms in der
Wahrnehmung des Musikwerkes), habilitiert 2000 (Die Evolution der gali-
zischen Musikkultur der XIX.–XX. Jahrhunderte); von 1987 – Dozent, von
1995 – Professor, von 1991 – Inhaberin des Stuhls für Musikgeschichte an
Lviver Nationalen Musikakademie „Mykola Lyssenko“. Forschungsschwer-
punkte – Musikkultur Galiziens, Musikpsychologie, Geschichte der uk-
rainischen Musik, Beziehungen der ukrainischen Musik zu anderen euro-
päischen musikalischen Nationalschulen, Musikpädagogik. Autorin der 6
Monographien, 8 Lehrbücher und za. 400 Veröffentlichungen in den wis-
465
