Page 441 - Weiss, Jernej, ur. 2017. Glasbene migracije: stičišče evropske glasbene raznolikosti - Musical Migrations: Crossroads of European Musical Diversity. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 1
P. 441
summaries
Sarajevo Philharmonic Orchestra as well as teachers in The District School
of Music, the first subsidized music school.
Keywords: Bosnia and Herzegovina, Sarajevo, musical migration, Czech
musicians
Vjera Katalinić
Music Mobility in the 17th and 18th Centuries: Croatian
Lands between Central Europe and the Mediterranean
European research project “Music migrations in the early modern age: the
meeting of the European East, West and South” (2013-2016) brought nu-
merous results that were put out in forms of papers, proceedings, music
material and, above all, entered into the project database. According to
some 270 names of musicians (composers, performers, instrument makers,
music teachers and copyists, as well as music patrons/mecaenas) in connec-
tion with Croatian lands in the 17th and 18th centuries, a series of parame-
ters have been analysed, dealing with migrational issue and networking.
Some of them have to be mentioned here: social position of migrants, push
and pull factors that triggered their mobility (reasons of migrations), di-
rections and scopes of migrations (from micro-migration to culturally and
geographically more distant one), important places of their intersections/
meetings, where the possible cultural transfer could have happened, as well
as the issue of networking, necessary for the positive outcome of such a mo-
bility. General conclusions have been reinforced by concrete results of case
studies, carried out by the Croatian MusMig (Music Migrations) group.
Keywords: MusMig (Music Migrations) project, music migration, Croatian
lands, 17th century, 18th century
Luba Kijanovska
Leopolis - Lwów – Leopoli – Lemberg – Львів – Львов in
Galizien – ein Treffpunkt verschiedener Nationalkulturen
(bis „Völkerfrühling“ 1848)
Der Vortrag ist allgemeinem Problem der Formierung regionaler Kultu-
ridentität aus der Verschmelzung mehrerer einzelner Nationaltraditionen
gewidmet. Solches Phänomen scheint besonders für jene Regionen typisch,
die auf der Kreuzung einiger Länder sich befinden. Angeführtes Beispiel –
die Entwicklung mehrnationaler Musikkultur im Land Galizien und ihrer
Hauptstadt Lviv/Lemberg – bestätigt genannte Vermutung. Dementspre-
chend sind in dieser Region zwei entgegengesetzten Richtungen des Kul-
439
Sarajevo Philharmonic Orchestra as well as teachers in The District School
of Music, the first subsidized music school.
Keywords: Bosnia and Herzegovina, Sarajevo, musical migration, Czech
musicians
Vjera Katalinić
Music Mobility in the 17th and 18th Centuries: Croatian
Lands between Central Europe and the Mediterranean
European research project “Music migrations in the early modern age: the
meeting of the European East, West and South” (2013-2016) brought nu-
merous results that were put out in forms of papers, proceedings, music
material and, above all, entered into the project database. According to
some 270 names of musicians (composers, performers, instrument makers,
music teachers and copyists, as well as music patrons/mecaenas) in connec-
tion with Croatian lands in the 17th and 18th centuries, a series of parame-
ters have been analysed, dealing with migrational issue and networking.
Some of them have to be mentioned here: social position of migrants, push
and pull factors that triggered their mobility (reasons of migrations), di-
rections and scopes of migrations (from micro-migration to culturally and
geographically more distant one), important places of their intersections/
meetings, where the possible cultural transfer could have happened, as well
as the issue of networking, necessary for the positive outcome of such a mo-
bility. General conclusions have been reinforced by concrete results of case
studies, carried out by the Croatian MusMig (Music Migrations) group.
Keywords: MusMig (Music Migrations) project, music migration, Croatian
lands, 17th century, 18th century
Luba Kijanovska
Leopolis - Lwów – Leopoli – Lemberg – Львів – Львов in
Galizien – ein Treffpunkt verschiedener Nationalkulturen
(bis „Völkerfrühling“ 1848)
Der Vortrag ist allgemeinem Problem der Formierung regionaler Kultu-
ridentität aus der Verschmelzung mehrerer einzelner Nationaltraditionen
gewidmet. Solches Phänomen scheint besonders für jene Regionen typisch,
die auf der Kreuzung einiger Länder sich befinden. Angeführtes Beispiel –
die Entwicklung mehrnationaler Musikkultur im Land Galizien und ihrer
Hauptstadt Lviv/Lemberg – bestätigt genannte Vermutung. Dementspre-
chend sind in dieser Region zwei entgegengesetzten Richtungen des Kul-
439
